Wednesday, September 25, 2013

Zodiac

Zodiac (2007)

Zodiac (2007)




R - 157 min - Crime, Drama, Mystery, Thriller - 2 March 2007
Big Blue Sky Rating : 7.7/10


Director : David Fincher
Writers : James Vanderbilt, Robert Graysmith
Stars : Jake Gyllenhaal, Robert Downey Jr., Mark Ruffalo, Anthony Edwards

A serial killer in the San Francisco Bay Area taunts police with his letters and cryptic messages. We follow the investigators and reporters in this lightly fictionalized account of the true 1970's case as they search for the murderer, becoming obsessed with the case. Based on Robert Graysmith's book, the movie's focus is the lives and careers of the detectives and newspaper people.


The Stranger Urban Americans Fear

The era in which Zodiac takes place bridges two eras in urban America. The Zodiac appeared on the tail end of a crime-spree that rampaged across the US in the late 1960's. His settling in the SF Bay Area may be one of a number of social phenomenons that pushed America's view of itself out of an innocent 1950's sensibility and into a harder and darker view that became more prevalent starting in the 1970's and into the 1980's. People, even in urban areas, used to be far more trusting of one another, friendly, and civil. Many of the events of the 1960's gave urban Americans a much more cynical and cautious attitude toward people they didn't know. Don't trust or talk to strangers. Better to sacrifice helpfulness than to wind up dead. People are out to take advantage. At least in urban areas nowadays, it seems, people are much less willing to take the risk to meeting someone they don't know, largely out of fear.

The film Zodiac chronicles the strange unknowable and faceless figure that emerged as a serial killer in Northern California in the late 1960's and early 1970's. The point of view is largely from the side of the press with a character from SF Homicide that is also tracking the case. One character, Robert Graysmith (Jake Gyllenhaal) is an SF Chronicle cartoonist who at first takes an amateur's interest in the case, often bothering fellow beat journalist Paul Avery, played brilliantly by Robert Downey Jr. Only later does the cartoonist engage on his own investigation of the identity of the Zodiac.

One of the most brilliant aspects of the film is its pacing. It never lets up and the suspense is always there, which becomes unsettling when you realize that these events actually took place instead of purely in the imagination of a modern suspense novelist. There is an eeriness which pervades the entire film. A car stopping unexpectedly in a nearly-deserted area is more frightening than most scenes in your average low-budget slasher flicks.

I do have a couple of shortcomings to this film. There are a couple of scenes where the cruelty and brutality of the violence is such that not all viewers will be able to handle this movie. I found I did have to turn away at a couple of scenes. Also, there are a couple of moments when the state of the investigation is not made clear. However, even given these shortcoming, Zodiac is a brilliant movie that tackles a subject-matter that probably could not have been brought to the screen during the period it depicts.

The Zodiac came to personify one of the constant fears of living in urban America: a faceless, emotionless killer that comes out of the shadows of a dark alley to commit heinous violence. In the end, we fear strangers because of this, but we end up sacrificing love. It is an ironic aspect of human nature that people can do to strangers what would be almost unthinkable to do to people that we know. In addition to the poor innocent people that were brutally murdered, the Zodiac committed another crime against humanity. He compromised our sense of trust, civility, and in many ways, love for our fellow human beings even when we might not know them.


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Prisoners

Prisoners (2013)

Prisoners (2013)




R - 153 min - Crime, Drama, Thriller - 20 September 2013
Big Blue Sky Rating : 8.2/10


Director : Denis Villeneuve
Writers : Aaron Guzikowski
Stars : Hugh Jackman, Jake Gyllenhaal, Viola Davis, Melissa Leo

How far would you go to protect your family? Keller Dover is facing every parent's worst nightmare. His six-year-old daughter, Anna, is missing, together with her young friend, Joy, and as minutes turn to hours, panic sets in. The only lead is a dilapidated RV that had earlier been parked on their street. Heading the investigation, Detective Loki arrests its driver, Alex Jones, but a lack of evidence forces his release. As the police pursue multiple leads and pressure mounts, knowing his child's life is at stake the frantic Dover decides he has no choice but to take matters into his own hands. But just how far will this desperate father go to protect his family?


the must see movie of the year

Prisoners is without a doubt what has to be the movie of the year. There's stunning work from this great ensemble cast, Hugh Jackman & Jake Gyllenhaal both give award worthy performances. Paul Dano gives a good take on a troubled teen with much subtlety. This is a very tense movie that will capture your attention and keep it the whole way through. This movie's cinematography by Roger Deakins is beautiful, the screenplay while based on an idea that's not original shows you a different take on it. The conversations the characters have are so riveting, you feel yourself questioning your own morality, and if you would do some of the actions these characters take. 10/10


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Enough Said

Enough Said (2013)

Enough Said (2013)




PG-13 - 93 min - Comedy - 11 October 2013
Big Blue Sky Rating : 7.6/10


Director : Nicole Holofcener
Writers : Nicole Holofcener
Stars : Julia Louis-Dreyfus, James Gandolfini, Catherine Keener, Toni Collette

A divorced and single parent, Eva (Julia Louis-Dreyfus) spends her days enjoying work as a masseuse but dreading her daughter's impending departure for college. She meets Albert (James Gandolfini) - a sweet, funny and like-minded man also facing an empty nest. As their romance quickly blossoms, Eva befriends Marianne (Catherine Keener), her new massage client. Marianne is a beautiful poet who seems "almost perfect" except for one prominent quality: she rags on her ex-husband way too much. Suddenly, Eva finds herself doubting her own relationship with Albert as she learns the truth about Marianne's ex.


Star-crossed lovers (sort of)

Enough Said (2013) is an enjoyable romantic comedy written and directed by Nicole Holofcener.

Julia Louis-Dreyfus is Eva, a divorced massage therapist. James Gandolfini portrays Albert, also divorced, who meets Eva at a party. The chemistry seems to be there, and both Eva and Albert are slowly falling in love.

However, "The course of true love never did run smooth." Naturally, there are complications. (No complications = no plot.) Both Albert and Eva have daughters who are leaving shortly for college. A friend once told me that students leaving home for college become obnoxious almost by instinct. That makes the break easier and less stressful for everyone. I don't know if that's a universal rule, but both daughters in the film appear to be following it. There's another sub-plot involving a friend of Eva's daughter, who is bonding with Eva, just as Eva's daughter isn't bonding.

However, the main obstruction to romance is that Eva has a new friend and, by a very bad coincidence, the friend is Albert's divorced wife. So, Eva is playing a double game--dating Albert, and hearing all the annoying things about Albert that made his wife leave him. That would surely cause trouble and, of course, it does. You'll have to see the movie to find out what happens next. "It's complicated."

My wife and I really enjoyed this film because it was well crafted, funny, and very well acted. Julia Louis-Dreyfus can act beyond her role in Seinfeld, and James Gandolfini could act beyond his role in The Sopranos. Of course, there's a melancholy cloud over the film, because we know that Gandolfini died soon after the movie was completed.

Still, it's a pleasure to see two likable, talented actors making each other laugh, and making us laugh with them. The film will work well on DVD. If you miss it in theaters, be sure to see it on the small screen.


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Battle of the Year

Battle of the Year (2013)

Battle of the Year (2013)




PG-13 - 110 min - Music - 20 September 2013
Big Blue Sky Rating : 3.5/10


Director : Benson Lee
Writers : Brin Hill, Chris Parker
Stars : Josh Holloway, Laz Alonso, Josh Peck, Caity Lotz

Battle of the Year attracts all the best teams from around the world, but the Americans haven't won in fifteen years. Dante enlists Blake to assemble a team of the best dancers and bring the Trophy back to America where it started.


Horrible :-)

I have never been happy to see a movie flop than I am at this one. This movie is the hugest pile of garbage I ever witnessed -- and I sat through Chernobyl Diaries. Don't waste your time watching this crap, let alone your money.

I watched some of it online for the dancing but even that was trash. The acting is poor. Chris Brown and everyone else try so hard to be the "cool guy" or "sensitive jock" archetype, but, instead they look like a bunch of amateurs that turned an already bad script into just another teen drama bullshit story with 90s music, shaky cameras, and scenes that have no substance but push the plot forward. Not to mention the fact that dance movies weren't really ever good, but have been increasingly bad starting from You Got Served. Don't bother with this (not like I expect anyone to, anyway). Hopefully Chris brown will learn from this and stick to was he's known for; making music and beating women...better yet, hopefully he'll decide to leave fame all together. 1/10


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Tuesday, September 24, 2013

Incendies

Incendies (2010)

Incendies (2010)




R - 139 min - Drama, Mystery, War - 12 January 2011
Big Blue Sky Rating : 8.1/10


Director : Denis Villeneuve
Writers : Valérie Beaugrand-Champagne, Wajdi Mouawad
Stars : Lubna Azabal, Mélissa Désormeaux-Poulin, Maxim Gaudette, Mustafa Kamel

A mother's last wishes send twins Jeanne and Simon on a journey to the Middle East in search of their tangled roots. Adapted from Wajdi Mouawad's acclaimed play, Incendies tells the powerful and moving tale of two young adults' voyage to the core of deep-rooted hatred, never-ending wars and enduring love.


Recommended viewing

During the reading of the will of their mother's, a twin brother and sister learn of some unusual last wishes. Amongst other requests, two envelopes need to be delivered to respectively the father of the two and a brother whom are both unknown. The quest leads the twins through the Middle East where they slowly learn of the horrific tales which is the life history of their late mother.

The movie tells a very graphic but endearing story, perfectly shot and acted allowing the viewer to get fully immersed into the journey and findings of the twins. Through flashbacks we learn about the hardship of the mother and, eventually, the fate of the father and brother. As a treat, there is a great twist at the end which is really the icing on the cake.

Highly recommended.

92/100


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Contraband

Contraband (2012)

Contraband (2012)




R - 109 min - Action, Crime, Drama, Thriller - 13 January 2012
Big Blue Sky Rating : 6.4/10


Director : Baltasar Kormákur
Writers : Aaron Guzikowski, Arnaldur Indriðason
Stars : Mark Wahlberg, Giovanni Ribisi, Kate Beckinsale, Ben Foster

Chris Faraday once smuggled illegal items or contraband into the country on freighters. He left that life behind, got married has a family and went legit. But when his brother-in-law got involved with Briggs, a drug dealer and when he blew a deal, Briggs demands restitution which he can't deliver. So Chris offers to find a way to pay him but the he threatens Chris' family if he doesn't deliver. So he gets on a freighter destined for Panama and he sets out to bring back some counterfeit currency. Briggs "goes to see" Chris' family. When Chris learns of this he asks his friend Sebastian to take care of them which he does. He tells Chris that it would be better to bring drugs instead of the cash.


Weak stuff.

I love crime thrillers, and I was hoping for this to be an enjoyable ride. It's got a great cast and I'm always game for a solid new entry into this genre. Unfortunately, there was so much of it that didn't work. A remake of an Icelandic feature, Contraband uses the set up of a former smuggler, played my Mark Wahlberg, having to get back into the game in order to protect his brother-in-law and his own family. The heist of it all ends up being structured like your typical heist movie, with a group of slightly diverse males teaming up and going against generic plot twists, betrayals and obstacles along the way to their ultimate goal.

It follows your standard procedure to a tee, along with some focus on the at home struggle of Wahlberg's wife, played by Kate Beckinsale, as she is protected by Ben Foster's character from the crime lord hounding Wahlberg (Giovanni Ribisi). Most of the problems with the film come from the script up, as the plot becomes more and more ludicrous as it goes on. Even within the exaggerated crime world that the film portrays, the twists and diversions often seem silly and hard to believe. There are some decent action sequences throughout, but for a film that appears to take itself as seriously as this one does the logic of it all is way off.

Director Baltasar Kormakur seems to have a good grasp when it comes to the action, but in the domestic drama things get dull fast, which is hard to achieve when you have such a superb cast. Kate Beckinsale is completely wasted in the stock wife role, Giovanni Ribisi is doing some strange Brando impression that was very awkward to watch (and I usually adore him) and Ben Foster seems to be the only one in this cast who really knows what he's doing; which begs the question as to why he was in this in the first place. The action narrative doesn't blend well at all with the domestic struggles, and when they come together in the final act it all feels incredibly disjointed. I was hoping for an entertaining ride here, but I didn't get much of that at all.


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End of Watch

End of Watch (2012)

End of Watch (2012)




R - 109 min - Crime, Drama, Thriller - 21 September 2012
Big Blue Sky Rating : 7.6/10


Director : David Ayer
Writers : David Ayer
Stars : Jake Gyllenhaal, Michael Peña, Anna Kendrick, America Ferrera

In South Central Los Angeles, street cops Brian and Mike are partners - balls-out cowboys patrolling the streets as Latino gangs are in a power struggle with Blacks. Brian and Mike get lucky a couple of times, making big drug and human-trafficking busts, so a Mexican cartel orders their deaths. We meet Mike's pregnant wife (whom he married out of high school) and watch Brian's search for a soul mate. There are internal squabbles within the ranks of the LAPD and lots of squad-car conversation. Can the lads escape the cartel's murderous reach?


Found footage's finest so far - an intense cop thriller that feels real

If I were to pitch you a movie about two police officers who are partners on patrol in South Central Los Angeles, one of your first inclinations might be "not another buddy copy comedy." While "End of Watch" is often funny, the newest film from "Training Day" writer David Ayer, is no comedy.

Ayer, who spent a lot of time in South Central, takes the found footage approach to his latest film featuring the LAPD in the spirit of modern trends and perhaps the show "Cops."

It's hard to tell if Ayer's exaggerating, but a lot of dangerous stuff happens to Taylor (Jake Gyllenhaal) and Zavala (Michael Pena) despite being beat cops. So much so that they get involved with the wrong Mexican gang, and their attempts to go above and beyond to protect and serve put them in the line of fire.

Gyllenhaal and Pena have incredible chemistry as two cops who are best friends as well as partners. They epitomize the modern "bromance" in a number of ways, joking around, giving each other a hard time, offering love/dating advice with hyper-masculine sarcasm, etc. Ayer takes time to show these men out of their blues frequently to humanize them in a critical way. On the job, they are often cocky, proud and reckless, pushing the line of appropriate police behavior and protocol. They jump back and forth between making laudable, responsible choices and borderline police brutality.

The portrait that this paints of law enforcement feels so much more authentic than we're normally treated to in cop films and police procedurals on television. They are heroes and good, honorable men, but that doesn't make them beacons of morality. No matter how much you believe in the quickly escalating plot of "End of Watch," there's no disagreement to be had over the authenticity of the characters and the environment they operate in.

Although we do get independent "episodes" in which Taylor and Zavala respond to calls and find more than they bargained for, there's a through-line involving a powerful Mexican drug cartel and the gang that enforces it. Ayer glamorizes these thugs a little bit, but it makes them formidable villains in the story. As things come to a boil, the realism of the film really unravels in favor of a more compelling, heart-pounding finale.

Ayer takes certain liberties with the found footage style as well. The premise involves Taylor filming everything for a school project or something. He has a hand-held camera but also cameras positioned in the squad car, and ones that clip onto their uniforms. The gangs also carry cameras around to film their violent escapades. At times, however, we can't tell who is supposed to be holding the camera — like when Taylor starts making out with his girlfriend, Janet (Anna Kendrick). Neither is holding the camera, so that's a bit strange.

Still, that filmmaking style does more good than harm to the film. Say what you will about the found footage trend, but this is an appropriate example that really works. The extra layer of realism and authenticity that the technique gives to a film really goes miles in favor of "End of Watch."

Humor is an unexpected benefit of this film as well. Michael Pena has failed to be funny in films including "Tower Heist" and "30 Minutes or Less," but he succeeds in territory that blends it with the dramatic in this very organic way. It would be impressive if most of the dialogue in this film, at least between him and Gyllenhaal, weren't improvised given how natural it flows.

It sounds like a stretch to consider this one of the better acted films of the year, but Gyllenhaal and Pena should've been considered for awards contention. The nature of found footage detracts from what we tend to associate with/look for in an Oscar-worthy performance. We expect authenticity from found footage and only comment when it goes poorly, not when it's done exceptionally well. Having seen enough films made in the found footage style, no other two actors have done better in this genre.

"End of Watch" offers an intense look at the life of L.A.'s finest and a harrowing portrait of life in the barrios and gang-ridden parts of L.A. Although exaggerated at crucial points, it shows what can happen when officers try and step out of their clearance level. At the least, it's one of the best films found footage has given us to date.

~Steven C

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Stomp the Yard

Stomp the Yard (2007)

Stomp the Yard (2007)




PG-13 - 115 min - Drama, Music, Romance - 12 January 2007
Big Blue Sky Rating : 4.6/10


Director : Sylvain White
Writers : Robert Adetuyi, Gregory Ramon Anderson
Stars : Columbus Short, Meagan Good, Ne-Yo, Darrin Dewitt Henson. After the death of his brother, An expert street dancer goes to Georgia to attend Truth University. But his efforts to get an education and woo the girl he likes are sidelined when he joins in his fraternity's effort to win a step dancing competition." />

After the death of his brother, An expert street dancer goes to Georgia to attend Truth University. But his efforts to get an education and woo the girl he likes are sidelined when he joins in his fraternity's effort to win a step dancing competition.


It was alright.

When I first watched this movie, I honestly hated it. The storyline was, naturally, predictable and the acting was just alright. But I ended up watching the movie again and it grew on me. I love all the dancing and stepping, and I've learned to deal with the plot. It's really just the dancing that made this one of my now favorite movies. So Stomp the Yard doesn't have the best storyline. The good parts about this movie are the dancing, music, and might I add, all of Columbus Short and Brian White's fineness throughout, haha. If you love dancing movies as I do, then you should give this movie a chance. Don't let the poor rating fool you; for what it is, it really is a decent movie.


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Thanks for Sharing

Thanks for Sharing (2012)

Thanks for Sharing (2012)




R - 112 min - Comedy, Drama - 14 September 2013
Big Blue Sky Rating : 6.3/10


Director : Stuart Blumberg
Writers : Stuart Blumberg, Matt Winston
Stars : Mark Ruffalo, Tim Robbins, Gwyneth Paltrow, Josh Gad

A romantic comedy that brings together three disparate characters who are learning to face a challenging and often confusing world as they struggle together against a common demon: sex addiction.


Movie with a Lot of Heart

There is a lot to like about this movie. Great ensemble performances by Mark Ruffalo, Gwyneth Paltrow, Tim Robbins, Joely Richardson, Josh Gad and Pink put a very human face on the different stages of dealing with and recovering from the real life tragedy of sex and love addiction. I consider this a wonderful "feel good" movie that has a broad range of emotions - both comic and tragic - the producers took a big risk to focus on this subject matter as there is the likelihood that a portion of the movie going audience could feel uncomfortable about the overt sexuality portrayed, even though I see it as tastefully done. Interestingly enough, the people I have talked to have echoed my sense that this is a wonderful movie....I wish it well.

There is a lot to laugh about in this movie but this movie is more than just a comedy. There is plenty of poignant drama in this movie also, and I found myself alternately laughing and crying as I found myself connecting and caring about the characters and hoping for good outcomes. As in real life, the results are mixed and at times, messy...

Joely Richardson plays Monica, the long suffering wife of Mike (Tim Robbins), a recovering "cross addicted" alcoholic/sex addict with 15 years of "sobriety" and unfortunately, there is not enough time in a 2 hour movie to flesh out her character. Clearly Mike (Tim Robbins) has made his recovery a big part of his life - what is sometimes called a "bleeding deacon" - and the relationship between Monica (Joely Richardson) and Mike seems harmonious until their addict son Danny (Patrick Fugit) returns home and the tension between a Mom and Dad dealing with their son in a dysfunctional family system gets played out.

Featured early on is Adam (Mark Ruffalo), a sex addict with 5 years of "sobriety" who is "sponsored" by Mike and ready to start dating again after choosing total abstinence to get his addiction under control. The great lengths Adam goes to in achieving sobriety seems rather ridiculous until you realize the powerful nature of addiction, which is the subject of a later portion of the movie and some of Ruffalo's best work as you feel his pain as he strives for "normalcy". Enter Phoebe (Gyneth Paltrow) as Adam's new love interest. Phoebe is a cancer survivor and her relationship with food and fitness are intriguing. A primary focus of their growing love and infatuation centers on Adam's deep fears around being love and accepted. The movie made me care about Adam and Phoebe both, hoping for a good outcome and a happy ending. I credit the writer's for taking us on some unexpected twists and turns that serve to highlight the reality of the disease of sex and love addiction and how it effects relationships.

Josh Gad is the comic relief in the movie - His character Neil is a young ER Doctor in the early stages of recovery from sex addiction and the movie takes a sympathetic look at the challenges and slips of making big changes in life to achieve sobriety early on. Neil is like a lot of sex addicts in early recovery - not taking it seriously until his addiction forces him to go deeper. Pink is a scene stealer as Dede, a female sex addict also going through the torment of early recovery from sex and love addiction...yes, it happens to females too. The growing friendship between Neil and Dede is another element where you really care how things will turn out.

OK the movie is far from perfect. Some might see the Paltrow character as shallow but that is the point: she has her own albeit different issues - dealing with her own demons - and the attraction between Adam and Phoebe makes sense as they are both finding a mirror into some deep stuff. Will they stay or will they run? The family drama and tension around Mike, Monica and Danny seems somewhat contrived and I attribute that to the movie choosing to deal with the deep topic of family dynamics and attempting to wrap things up in less then 2 hours. Trust me - everything that happens is plausible in real life even if you may see it coming ahead of time.

So yes, I like this movie. I like this movie a lot. I will confess my bias as I am a sex and love addiction professional (and recovering myself) and yet, my only stake in this all is that I hope the movie will succeed enough that it will allow others in the movie industry to take risks like this to entertain and educate us in the sense that the movie handles this controversial movie topic with sympathy, humor and accuracy in depicting the disease and the road to recovery.

And, at the end of the day, I left this movie entertained. I laughed...a lot....I got choked up and cried. I applauded endings that were not totally cliché and yet, offered hope for a brighter tomorrow.

Go see this movie. Go see this movie with someone you love and care about. It will open you up and make you feel....If you remember and enjoyed "My Life as a House" with Kevin Kline...this is your kind of movie...


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C.O.G.

C.O.G. (2013)

C.O.G. (2013)




R - 88 min - Comedy, Drama - 20 January 2013
Big Blue Sky Rating : 4.8/10


Director : Kyle Patrick Alvarez
Writers : Kyle Patrick Alvarez, David Sedaris
Stars : Jonathan Groff, Denis O'Hare, Corey Stoll, Dean Stockwell

A cocky young man travels to Oregon to work on an apple farm. Out of his element, he finds his lifestyle and notions being picked apart by everyone who crosses his path.


Fails to live up to its source

C.O.G. is my favorite David Sedaris essay, even before I moved to Oregon and recognized some of its landmarks. The movie even begins with one of my favorite speeches from the essay, although the speech is much better on the page.

The story concerns a young man who fantasizes about joining the working class (as in Grapes of Wrath) and travels to Oregon to pick apples, work in an apple sorting factory, and make jade sculptures with a temperamental man who is trying to convert him to Christianity. In the essay, Sedaris, as himself, is state school educated, a stoner, accustomed to menial jobs, and from a working class family. In the movie, David – or Samuel, as he's calling himself – is a smarmy preppy educated at Yale who is first depicted reading Darwin's Origin of Species. When Sedaris makes fun of crazy people on a Greyhound, or working class people at a factory, it is clear that he is making fun of his own expectations, as well as people not far below him in social class. This is quite a contrast to an upper class character looking down on dumb poor people. This is one of the movie's first flaws. And it colors almost everything. What is his true motivation, if he is so jaded and cynical? What is the movie trying to tell us about working people and Christians when it presents us with this character as its hero?

A second flaw is one chief among Hollywood movies, even those intended for the art-house crowd. Though David Sedaris himself, as well as the lead actor, are openly gay, this movie wouldn't want to come out and just say such a thing, why people might flee into the streets. So it teases us with making us believe he might have a female love interest; it does not tell us what the source of the conflict is with his family (it would appear to be his coming out); it doesn't tell us why he is so freaked out by a co-worker's gay advances (is it because he's grossed out by the man or the concept?), or how any of this might impact his potential conversion to Christianity. I'm sure the director has a lofty, annoying explanation for this oversight, but I can count two "so, was he gay?" posts already on the list of five that show up on the main page.

The score, mainly percussion, will be off-putting to many, especially in the first scenes on the bus. And the ending will also confuse. After personal conflicts with many of the characters, how will his opinions and his Christian conversion change? We know IRL that David Sedaris went on to a happy life as a bestselling author. A less vague ending could have shown what the character learned from these experiences, especially since this movie tried so hard to be more sincere than its comedic base.

This movie has some things going for it, but it is philosophically a disappointment.


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Gentlemen Broncos

Gentlemen Broncos (2009)

Gentlemen Broncos (2009)




PG-13 - 90 min - Adventure, Comedy - 27 May 2010
Big Blue Sky Rating : 5.7/10


Director : Jared Hess
Writers : Jared Hess, Jerusha Hess
Stars : Michael Angarano, Jemaine Clement, Mike White, John Baker

Benjamin, home-schooled by his eccentric mother, is a loner whose passion for writing leads him on an journey as his story first gets ripped off by the legendary fantasy novelist, Ronald Chevalier, and then is adapted into a disastrous movie by the small town's most prolific homespun filmmaker.


An Instant Classic That Is Much More Than The Sum Of Its Parts

I saw this movie last night at a sneak preview in Jared Hess' home city. It totally ruled. It was full of laugh-out-loud scenes, with comedy on every level, excellent performances, and a sneaky plot that Scorsese would have been proud of. Everyone in the audience seemed to love it, lingering to cite scenes to each other long after the film was over. Even the press seemed genuinely giddy to be there.

Everyone who follows comedy knows what a big hit Napoleon Dynamite was, and although Nacho Libre was extremely funny, it lacked some of the kitschy style that made Napoleon more than just a comedy. Gentlemen Broncos seems to be the calculated result of a wise decision to return to form. If Napoleon Dynamite has nerds, Gentlemen Broncos has Supernerds; if Napoleon Dynamite has touches of the 70's and 80's, Gentlemen Broncos has dropped you off and left you there.

Like the best Wes Anderson films, Hess has the ability to identify and isolate a lovably weird segment of our society and walk right on that line for the duration of his films. In this case, it's the soul-drying, bad sci-fi stories that I used to see when I was a kid but don't anymore. The lone, laser-gun-wielding hero standing on a world with three moons and a tight, lit-up grid pattern for ground; the farming space station that's been overrun by cyborg apes; the space worm; etc. The kind of bad stories that couldn't even merit a hardback release, let alone a movie– and now can't even be found new. Capturing that odd energy and riffing a clear story on top of it earns Hess bonus points right off the bat.

He also has a gift for making good actors great at being bad, on purpose. Mike White has never been even nearly as hilarious as he was in this film (watch out for snakes), Jennifer Coolidge was in top form (as usual), and Sam Rockwell got all the way on board with a career burning phoenix of comedy that covered the polar ends of the spectrum. And because Hess pays special attention to each character, Hector Jiminez and Halley Feiffer are given equal opportunity to steal the show, and turn hilarious performances.

Now let's start a new paragraph. Shame on whoever dissed this movie before I had a chance to get here– you shall fall into the pit which you dig, because you seem to have forgotten one important detail: Jemaine Clement is in this movie. You can't give anything with Jemaine Clement in it one freakin' star. It's against the laws of physics. And when people see that you've done that, they'll only question whether you really even saw this movie at all. One of the funniest people alive, Jemaine Clement (of Flight of the Conchords) reproves his very real character-acting abilities, swanning over the film in full form as a tightly wound, bad-jeans-wearing, writer-bearded egomaniac who is so cheesy that you can smell the leather conditioner coming out of the screen. He was the obvious heir to the throne, for the whole show, and turns in what I think is his best performance so far, by far- which is really far. He's a full-blown comedic genius, and still seems to have been able to go even further under the direction of Jared Hess.

But the real satisfaction ends up coming from Hess knowing to place Michael Angarano right up front to show everyone what he can do. Clement is no surprise, when his greatness comes through- that's just normal. But to watch Angarano hang ten on his own terms, through his own scenes, was magnificent.

I caught Michael Angarano in several films, starting with Seabiscuit. But it was in the family favorite "Sky High" that I noticed how well he was starting to do subtle comedy as a farce's underdog, a'la Ben Stiller. Apparently Hess noticed him long before that, and was able to capitalize on Angarano's rising talent, to have it perfectly coincide with Gentlemen Broncos. He builds up the pain in Angarano's character so smoothly and steadily, that when he finally explodes it's about as pressured as Travis the Taxi Driver. Except replace the mohawk with a woman's clownsuit dress and the gun with a bean pillow in the shape of a blonde, mustached tranny. And throughout the wind-up, Michael Angarano plays everything to a tee, walking brow-first above bloodshot eyes, seeming to be struggling to keep down his own intestines at the sight of the limitless tragedies that are happening to him throughout the bulk of the film. He's so likable and well-paced that you just can't believe it either, and can't imagine anything getting any better for him- until he goes off in a blaze of glory.

Now I realize that all of these descriptors may sound like Hess may have sacrificed the inspired randomness of Napoleon Dynamite in order to make a more structured film. But let me console you in saying that, somehow, surrounding this Coen-worthy plot is so much perfect silliness that most people won't even see all of the true plot steps until they come together for a perfect showdown and a winning finale. In fact, the movie is so wild that some will mistake it for trying relying on sophomoric humor, which it sells fresh and hot throughout (when the majority is more intelligent situational and quotable line humor, with which Hess is a born natural). But analyze it honestly, and you'll see that the emotion-based story is top rate in it's rawness and simplicity, like all the best films.

In short, Gentlemen Broncos is just like it's name- a sophisticated, well-dressed animal that kicks naysayers repeatedly in several places. I wish I had the connections to be able to see it again right now. Thank you comedy Gods, for giving us Jared Hess.


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A Single Shot

A Single Shot (2013)

A Single Shot (2013)




R - 116 min - Crime, Drama, Thriller - 25 April 2013
Big Blue Sky Rating : 5.9/10


Director : David M. Rosenthal
Writers : Matthew F. Jones
Stars : Sam Rockwell, Jeffrey Wright, Kelly Reilly, Jason Isaacs

The tragic death of a beautiful young girl starts a tense and atmospheric game of cat and mouse between hunter John Moon and the hardened backwater criminals out for his blood.


Single shot

Which is actually more than enough in this case. I did not read the source material to this, but I did have the pleasure of watching this at the Berlin Internationl Festival. Sam Rockwell himself would have attended, but due to the storm having a party in America, he couldn't make the flight. While that bad, because it'd been awesome to see him up and close, it was also a relief, because he's just larger than life (one of the greatest actors of his generation is more than an apt description of him).

He does prove it in this movie too, which is much darker than I had expected. But he has a lot of help coming from the rest of the cast (great people involved here) and the script of course. As mentioned, I couldn't tell you the differences between the movie and the book. But the director did a great job here and I can only recommend this (not only because of the powerhouse performance by Sam)


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Keeping the Faith

Keeping the Faith (2000)

Keeping the Faith (2000)




PG-13 - 128 min - Comedy, Drama, Romance - 5 April 2000
Big Blue Sky Rating : 6.4/10


Director : Edward Norton
Writers : Stuart Blumberg
Stars : Ben Stiller, Edward Norton, Jenna Elfman, Anne Bancroft

Jake and Brian are friends. They are Jewish and Catholic respectively. They would grow up and become a rabbi and priest respectively. Anna whom they knew when they were younger comes back to town a stunning woman. Jake is up to be the head of his synagogue but he is not married which doesn't make his appointment any easier. Jake finds himself attracted to Anna but because she is not Jewish, he can't marry cause it would be another thing that will make his appointment less likely. Brian also finds himself attracted to Anna but being a priest doesn't allow that. When they learn of each other's feelings for her, strains their friendship.


A fresh, fun romantic comedy in a New York state of mind.

"Keeping the Faith" is just hip enough to breathe some fresh air into a stagnating genre without sacrificing the requisite "feel good" moments in the process. The film's 2+ hour run time is a bit long for it's simple plot, but it manages to stay focused and dish up enough creativity to make it time well spent. A very enjoyable fun flick.


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The Wizard of Oz

The Wizard of Oz (1939)

The Wizard of Oz (1939)




PG - 102 min - Adventure, Family, Fantasy, Musical - 25 August 1939
Big Blue Sky Rating : 8.2/10


Director : Victor Fleming, George Cukor
Writers : Noel Langley, Florence Ryerson
Stars : Judy Garland, Frank Morgan, Ray Bolger, Bert Lahr

In this charming film based on the popular L. Frank Baum stories, Dorothy and her dog Toto are caught in a tornado's path and somehow end up in the land of Oz. Here she meets some memorable friends and foes in her journey to meet the Wizard of Oz who everyone says can help her return home and possibly grant her new friends their goals of a brain, heart and courage.


A true cinematic milestone

Where to begin? MGM's elaborate adaptation of L. Frank Baum's 1900 fantasy classic THE WONDERFUL WIZARD OF OZ not only became an institution among itself (and practically defined the concept of modern popular culture), but is reported to be the most viewed film ever made. A sharp screenplay effectively condenses the novel's text into a workable film, and director Victor Fleming (along with countless other behind-the-scenes technicians) craft a visually stimulating fantasy world that surpasses the expectations of even the most imaginative viewers. Brimming with stunning visual effects (the film's fierce tornado is an FX feat that has yet to be surpassed by CGI), witty dialogue, and eye-popping Technicolor, THE WIZARD OF OZ truly lives up to it's reputation as a once-in-a-lifetime film where every element comes together flawlessly.

The cast could not be improved upon. The quivery-voiced, solemn-faced Judy Garland will always be Dorothy, the little lost farm girl on the road to Oz, clutching her beloved Toto (impressively portrayed himself by the female canine performer Terry, the terrier). It seems inconceivable that MGM had originally wished to cast Shirley Temple in the role, as Temple's doe-eyed, cutesy-voiced shtick would have been a catastrophic ill-fit for the tone of this picture. Conversely, Garland is perhaps the screen's quintessential woman/child; always seemingly just one step away from reaching full emotional maturity. It is her sadness that transfixes viewers to the screen, the exact same quality that made the film's most memorable Harold Arlen/E. Y. Harburg number "Over the Rainbow" into one of the most exquisite marriages between artist and song ever to be recorded.

The remainder of the cast is similarly exceptional, many of whom perform perfectly even under the most debilitating make-up and costumes. Frank Morgan is marvelously versatile in no less than five roles, the insanely energetic Bert Lahr mugs brilliantly, the handsome Jack Haley swoons sweetly, Billie Burke lends the film an ornate ethereality, and Ray Bolger's gravity-defying physical presence nearly steals the entire picture on several occasions. Perhaps most notable is former schoolteacher Margaret Hamilton's transformation into the wickedest of wicked witches, which certainly remains among the vilest and most terrifying portrayals of full-throttle evil ever to be seen. No matter how it is analyzed, scrutinized, or satirized, the 1939 production of THE WIZARD OF OZ is a top-notch example of how to turn a great story into a fabulous, milestone of a film.


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Monday, September 23, 2013

The Kids Are All Right

The Kids Are All Right (2010)

The Kids Are All Right (2010)




R - 106 min - Comedy, Drama - 30 July 2010
Big Blue Sky Rating : 7.1/10


Director : Lisa Cholodenko
Writers : Lisa Cholodenko, Stuart Blumberg
Stars : Annette Bening, Julianne Moore, Mark Ruffalo, Mia Wasikowska

Nic and Jules are in a long term, committed, loving but by no means perfect relationship. Nic, a physician, needs to wield what she believes is control, whereas Jules, under that control, is less self-assured. During their relationship, Jules has floundered in her "nine to five" life, sometimes trying to start a business - always unsuccessfully - or being the stay at home mom. She is currently trying to start a landscape design business. They have two teen-aged children, Joni and Laser, Nic who is Joni's biological mother, and Jules who is Laser's biological mother. Although not exact replicas, each offspring does more closely resemble his/her biological mother in temperament. Joni and Laser are also half-siblings, having the same unknown sperm donor father. Shortly after Joni's eighteenth birthday and shortly before she plans to leave the house and head off to college, Laser, only fifteen and underage to do so, pleads with her to try and contact their sperm donor father. Somewhat ...


Domestic Life in THE KIDS ARE ALL RIGHT

The nuclear family takes on a different spin when both parents are same sex and the kids are the product of a male sperm donor in The Kids Are All Right. When traumatic upheaval and revelations strike such a family, the results can be amusing and also tragic. Annette Bening and Julianne Moore highlight an insightful script about domesticity turned on its head.

Nic (Bening) and Jules (Moore) are lesbian parents of two teens, Joni and Laser. One day the children research and contact their biological father, Paul (Mark Ruffalo), who agrees to meet his progeny. After an awkward first meeting, things actually go well as the new family connections are explored by the kids and their newly found father. The couple of Nic and Jules are a contrast; Nic is the physician who is totally controlling while Jules is still trying to find herself with a new business of landscaping. Laser hangs with the wrong crowd and begins to realize that he deserves better through his bond with Paul. Joni is trying to assert herself as an adult and prepares to go to college. The moms show a parental responsibility to watch over their children and want to meet the dad. When Paul hires Jules to do work on his restaurant landscape, the two connect. As Paul's influence begins to overcome the family, Nic feels left out. But there is an attraction between Jules and Paul that leads to a torrid affair, and when Nic discovers the truth, the family is torn apart. Into this mix are two maturing children whose emotions will be tested throughout.

The roles are well acted especially by Benning as a betrayed spouse, and in particular, her scene of revelation about Jules is a marvel of expressiveness and devastating heartbreak. This culminates in a powerful moment with all the principals present at Paul's dinner table. Moore gives solid support and shines in her heartfelt plea to her family near the end. The ensemble is well cast particularly Ruffalo whose almost bystander role is suddenly elevated to catalyst and disruptor of the family's dynamic.

The story has a nice balance of serious tones and comedic elements born out of the situations. The themes work on several levels like ingredients of a zesty recipe: the family chemistry, the couple of Nic and Jules, the kids' developing bond with Paul, Paul and Jules, and shake and mix well. Everyone has needs and wants, and the strongest is a need to belong to a family and the need to connect with another human being whether it be Laser and his friends, Paul and Jules, Paul and his children, and Nic and Jules. Amid the conflicts, no one escapes unscathed. There are no real heroes or villains here, only hard truths about life and relationships.

The fact that two lesbians are having the conflict over infidelity may seem novel on the surface, but it could easily have been a heterosexual couple. In fact the notion of two lesbians virtually disappears as we witness and understand this family unit with its warts and all. It could be any family when you think about it. The fact that both Benning and Moore play their respective spousal roles so convincingly is a testament to their acting skills playing off an excellent script by Stuart Blumberg and Lisa Cholodenko, who also directs. The ending rings true and shows not only how far the relationships have come, but how that foundation, despite some serious challenges, is strong enough to survive. Life moves on, and there is hope for the future.

There are not a lot of loose ends in this story although, toward the end, it would be nice to get a bit more resolution to Ruffalo's character. The film does contains a couple of brief explicit sex scenes without which this would essentially be a PG rated film. There is little to quibble about, and the viewer gets to experience one of the more insightful domestic dramas in recent years.


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Cloudy with a Chance of Meatballs 2

Cloudy with a Chance of Meatballs 2 (2013)

Cloudy with a Chance of Meatballs 2 (2013)




PG - 95 min - Animation, Comedy, Family, Fantasy, Sci-Fi - 27 September 2013
Big Blue Sky Rating : 6.5/10


Director : Cody Cameron, Kris Pearn
Writers : Judi Barrett, Ron Barrett
Stars : Bill Hader, Anna Faris, Will Forte, Neil Patrick Harris

After the disastrous food storm in the first film, Flint and his friends are forced to leave the town. Flint accepts the invitation from his idol Chester V to join The Live Corp Company, which has been tasked to clean the island, and where the best inventors in the world create technologies for the betterment of mankind. When Flint discovers that his machine still operates and now creates mutant food beasts like living pickles, hungry tacodiles, shrimpanzees and apple pie-thons, he and his friends must return to save the world.


Holy Guacomole! This is a Fun Time!

I went into the film with high expectations and they were partially fulfilled. Compared to the first movie, this film goes for a lot more attempts at getting a laugh and surprisingly misses a little more times too. An audience can only take so many food puns before it becomes generic, but the kids will obviously never get tired of it, trust me. This movie is by far the quirkiest animated film I've ever seen with so many new and involving characters who each have their own hilarious persona. At times throughout this fun high calorie adventure, it seems as though it was rushed in it's story which is really evident in its ending which does feel hurried. All the humor really relies on are food puns and the mannerisms of the characters which are enjoyable but your left wanting that one big laugh. The animation however is top notch with such beautiful environments and the fluidity of the characters movements are a real treat. Overall, the is a well intentioned flick for kids that was a little but too light on the comedic side.


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Marty

Marty (1955)

Marty (1955)




APPROVED - 90 min - Drama, Romance - 10 June 1955
Big Blue Sky Rating : 7.7/10


Director : Delbert Mann
Writers : Paddy Chayefsky
Stars : Ernest Borgnine, Betsy Blair, Esther Minciotti, Augusta Ciolli

Marty is a 34-year-old butcher whose Italian family is constantly after him to get married. He meets plain-looking schoolteacher Clara. They are both lonely, unglamorous people who have resigned themselves to their unloved lives. But they manage, in time, to grope their way to love.


MARTY is of continuing relevance...

As an under-30 viewer of Marty I wanted to take the time to say that I believe the value in a film such as this lies in the fact that it deals with themes that continue to be of relevance to contemporary viewers.

In particular, Marty has to deal with a widow mother whom attempts to thwart his chance at love in order to preserve her own central position in his life. The situation is not dissimilar to one that my boyfriend has to deal with- his mother is a widow and she is worried that if her son marries she will be displaced and have no social worth.

Ernest Borgnine's performance was superb, especially the scene in which he yells at his mother to lay-off trying to make him go out and find a girl at the Stardust Ballroom when he knows that all the night has in store for him is more heart-ache.


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