Showing posts with label 2013. Show all posts
Showing posts with label 2013. Show all posts

Monday, October 14, 2013

Dallas Buyers Club

Dallas Buyers Club (2013)

Dallas Buyers Club (2013)




R - 117 min - Drama - 1 November 2013
Big Blue Sky Rating : 7.4/10


Director : Jean-Marc Vallée
Writers : Craig Borten, Melisa Wallack
Stars : Matthew McConaughey, Jennifer Garner, Jared Leto, Steve Zahn. The story of Texas electrician Ron Woodroof and his battle with the medical establishment and pharmaceutical companies after being diagnosed as HIV-positive in 1986, and his search for alternative treatments that helped established a way in which fellow HIV-positive people could join for access to his supplies." />

The story of Texas electrician Ron Woodroof and his battle with the medical establishment and pharmaceutical companies after being diagnosed as HIV-positive in 1986, and his search for alternative treatments that helped established a way in which fellow HIV-positive people could join for access to his supplies.


Matthew McConaughey and Jared Leto achieve monumental success with their performances...

In the front lines of transforming your physical appearance for the sake of the art, critics and audiences respond with gasps and eye-bulging at the shocking "de-glamorization" of our beloved Hollywood figures . Often times, it's used as a gimmick, lacking skill and talent to match the transformation. Christian Bale received lots of press leading up to and following his performance in Brad Anderson's "The Machinst" nearly a decade ago. Nothing about him or the film reached an epic proportion of legendary filmmaking or acting. Focus Features' upcoming film, "Dallas Buyers Club" executes solid imagery and profound performances that stands as one of the year's most ambitious efforts thus far. You can't knock anyone for trying to go for it.

Looking at what Matthew McConaughey achieves with the direction of Jean- Marc Vallée finally gives Hollywood and the rest of the world the realization of what an actor can do if they push themselves for the sake of the craft. It's not just a makeup trick, he embodies the soul of a broken man, reaching for a new-found purpose and demonstrating the human will to survive. McConaughey has hinted at this greatness for years now. He was in the realm of conversation last year as the lovable club owner in "Magic Mike" and impressed the lights out of many earlier this year with "Mud" from Jeff Nichols. Playing Ron Woodroof, a homophobic electrician that contracts HIV in the 1980's, the 43-year-old actor has tapped into an extraordinary and found humanity within a character that is often times unlikeable but continue to root for.

Vallée's direction of the story is impressive. He takes artistic liberties we haven't seen him attempt before and does a comparable job at bringing the unfocused and at times, jumbled narrative to the screen. Craig Borten and Melisa Wallack pen the script from an honest place. The "Inspired by true events" phrase that's plastered on the film's poster should have allowed a more cohesive and finely tuned story to be constructed. Their decisions on where to focus Woodroof's life during his first year living with HIV didn't give the film a thematic foundation to connect with. I wasn't sure if I was supposed to be watching a socially political film that highlights the intolerance of homosexuals in the 80's or a politically-motivated drama that highlights the injustices that our own government takes on its people. You can make the argument that it's a blend of the two, but the way the events unfold and are represented don't necessarily ring authentic. If anything, they paint a poorly constructed portrait of homosexuals and victims of HIV and AIDS during a very difficult time in our nation where anyone was looking for an outlet of longevity. We know lots about the traumas and prejudices of our victims during the AIDS epidemic and the battles they fought just to simply live. There's no other message or values that the film presents that I haven't already heard in "And the Band Played On" and "How to Survive a Plague."

DBC-02693-RAs aforementioned, the performances in the film rise above any flaws that the script may slip into. McConaughey is the best I've ever seen him. Simply a delight from head to toe, beginning to end. What I haven't started to uncover is the revelation that is Jared Leto as the lovable and AIDS-stricken Rayon. Leto, who has been away from the game for some time as he focused on his music with his band "30 Seconds to Mars" showcases one of the year's finest turns and the best he's ever delivered. Every time the talented Leto is on-screen, he steals focus from everyone around him. He manages to illuminate the pain and horror of the human spirit as it deals the inevitable notion that fairly soon, you will die. You won't see a more devastating turn or a greater example of masking the real emotions of the being this year. A Supporting Actor contender has emerged.

DBC-00822-RThe beautiful and talented Jennifer Garner lays all she can into her role of Dr. Eve Saks, a doctor overseeing more than illnesses during the epidemic. While I will always remember her fondly in Jason Reitman's "Juno" in 2007, she simply doesn't have enough to work with to rally anything more than mere sympathy. Two co-stars, who are always great to see as the expand the filmography, is Denis O'Hare and Steve Zahn, both impeccable in their minimal roles.

As a whole, "Dallas Buyers Club" is competent filmmaking executed by two outstanding performances by Matthew McConaughey and Jared Leto. Director of Photography Yves Bélanger is the best of the technical merits of the film. Aesthetically capturing tender moments from the side of a bed and the window of a car. Something that should be considered when looking at the film for awards prospects. At the end of the day, it's solid filmmaking. You can admire the attempt, but it missed some opportunities. I think the Oscar race has just added two solid contenders on its already growing list who are completely worthy of holding statues on the night.


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Gravity

Gravity (2013)

Gravity (2013)




PG-13 - 91 min - Drama, Sci-Fi, Thriller - 4 October 2013
Big Blue Sky Rating : 8.7/10


Director : Alfonso Cuarón
Writers : Alfonso Cuarón, Jonás Cuarón
Stars : Sandra Bullock, George Clooney, Ed Harris, Orto Ignatiussen

Dr. Ryan Stone (Sandra Bullock) is a brilliant medical engineer on her first shuttle mission, with veteran astronaut Matt Kowalsky (George Clooney) in command of his last flight before retiring. But on a seemingly routine spacewalk, disaster strikes. The shuttle is destroyed, leaving Stone and Kowalsky completely alone - tethered to nothing but each other and spiraling out into the blackness.


One of the year's top films

Gravity, Alfonso Cuaron's explosive, white-knuckle sci-fi instant classic is a wonder to behold, with devastatingly realistic effects as a backdrop to a terrifying, compelling story and terrific work by Sandra Bullock and George Clooney. It is both a concrete what-if story and a mesmerizing existential mindbender.

The U.S Space Shuttle Explorer is docked at the International Space Station. Dr. Ryan Stone (Bullock), on her first space mission, is installing an external device on the station that will enable astronomers to peer even deeper into space. Meanwhile, the mission commander Kowalski (Clooney), on his final mission, merrily spacewalks in a jet pack; other crew members perform maintenance or communicate with Earth.

Then trouble strikes. Houston reports that the Russians have blown up one of their own satellites, hurling debris throughout Earth's orbit. Before the crew can return to the shuttle and head back to Earth, the craft and the ISS are pounded with lots and lots of pieces of metal traveling at extreme speeds. The damage is extensive, setting off an odyssey for Dr. Stone that is both literal and figurative, as she must find a way to keep going and return back home.

There is hardly a moment of inaction. Stone and Kowalski veer from problem to problem, everything accentuate by the simple fact that they are alone up there, not even able to contact NASA. It's a terrifying situation. Most of us might have a slight panic attack if we're stranded on the side of the road without a cell phone. Imagine being up in the heavens with no way to get down.

Emmanuel Lubezki's dizzying camera-work serves two purposes: it provides us with Stone's visual perspective, that of a novice, and it provides context for the disaster she and Kowalski find themselves in. If you think that the pictures from the Hubble telescope were beautiful, wait until you see these breathtaking visuals; they're as stirring and evocative as the acting and story itself.

Stone journey, as I mentioned, becomes more than just a path back to safety. She is grieving in her own way, becoming a quiet, almost listless passenger in life. Her decisions and her proactive attitude not only bring her closer to survival but also to a healing of her mind. This is definitely among Bullock's finest work, perhaps her greatest achievement to date.

I've noted before that 3D movies in darkened environments, such as outer space, are utterly needless, since 3D actually removes light from scenes. But somehow, the 3D effects in Gravity sidestep that downside. The technology is used so expertly here that whether we are approaching an object at high velocity or it is approaching us, we feel immersed in the scene, not distracted from it. Tough to do.

I simply cannot delve into the plot any more than I already have. The astute viewer will still have trouble guessing the outcome and the twists within the movie, particularly because the action is so hard- driven – while still utterly coherent and plausible.

There are plenty of heart-stopping moments in Gravity, even for the most jaded of viewers. It is fantastic storytelling supported by arresting cinematography. It may be too early for movies to get serious award- season consideration, but I'll come out and say this right now: Gravity is one of the very best movies of the year.


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Sunday, October 13, 2013

Out of the Furnace

Out of the Furnace (2013)

Out of the Furnace (2013)




R - 116 min - Drama, Thriller - 6 December 2013


Director : Scott Cooper
Writers : Brad Ingelsby, Scott Cooper
Stars : Christian Bale, Casey Affleck, Zoe Saldana, Woody Harrelson

Russell and his younger brother Rodney live in the economically-depressed Rust Belt, and have always dreamed of escaping and finding better lives. But when a cruel twist of fate lands Russell in prison, his brother is lured into one of the most violent and ruthless crime rings in the Northeast - a mistake that will almost cost him everything. Once released, Russell must choose between his own freedom, or risk it all to seek justice for his brother.





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Inside Llewyn Davis

Inside Llewyn Davis (2013)

Inside Llewyn Davis (2013)




R - 105 min - Drama, Music - 20 December 2013
Big Blue Sky Rating : 7.2/10


Director : Ethan Coen, Joel Coen
Writers : Joel Coen, Ethan Coen
Stars : Oscar Isaac, Carey Mulligan, John Goodman, Garrett Hedlund

Follow a week in the life of a young folk singer as he navigates the Greenwich Village folk scene of 1961. Guitar in tow, huddled against the unforgiving New York winter, he is struggling to make it as a musician against seemingly insurmountable obstacles -- some of them of his own making.


Oscar Isaac is Incredible! Coens Best Since 'Fargo'

I am completely smitten. I have long admired Joel Coen and Ethan Coen and what they have offered the realm of cinema. I am in love with "Fargo" still until this day, and they've provided solid efforts on nearly every outing since. Their newest endeavor that focuses on the folk scene in 1961 is an absolute dream. Everything from the impeccable Oscar Isaac to the music that enriches the deepest trenches of the soul, "Inside Llewyn Davis" is one of the best pictures of the year, plain and simple. It's the Coen Brothers finest film since "Fargo."

Our story begins with a folk singer, Llewyn Davis that has continued to pursue a music career in 1961 despite being penniless and lacking any real stability. Migrating from couch to couch, we get a deep look into a character with a dream that just won't die. As he fights for his chance to share his voice with the world, following an unexpected loss of his singing partner, Llewyn is hard to love. He makes poor choices and seems to lack any responsibility in his life. It's a wonderful creation of a character that offers insight into a changing time in our history.

First of all, I can't get the amazing music out of my head. All the songs used are absolutely brilliant. Oscar Isaac's richly matured tone is so soothing and authentic; I'm surprised a music company hasn't nabbed him up to make a record yet. His opening and closing songs are his, as well as the film's, pivotal moments that encapsulate the endearing message and theme. "Hang Me, Oh Hang Me" and "Fare Thee Well (Dink's Song)" are astonishing records that may not just fall into an Oscar race but a Grammy wouldn't shock me in the least. It has the same magical effect as "Searching for Sugar Man," two films that seemed to capture the innocence and culture of a generation that seems lost. In terms of performance, Isaac is incredible. So raw and genuine, it's one of the year's finest performances by any actor. He has made himself one of the most exciting actors to watch in the coming years. This will lead him into more challenging and accessible roles. This guy could become one of our finest actors in just five years' time. This is something that should land him an Oscar nomination for Best Actor. It's very much deserved.

In their respective but short screen times, John Goodman, Garrett Hedlund, and Carey Mulligan are all infectious and notable. Goodman plays a character similar to his "Harling Mays" from Robert Zemeckis' "Flight" and makes the most out of his appearance. Mulligan is volatile and I loved every second of her. She brings lots of dark humor and fire to a role that shows the depth of her abilities as an actress who can perform impeccably in any genre. We even get her singing again which had me melt two years ago during her "New York, New York" in Steve McQueen's "Shame." Hedlund comes and goes but makes his mark as he often does.

Justin Timberlake has made a seamless transition from musician to actor and back to musician. Great in roles like "The Social Network" where his star power doesn't distract from the story at hand, in a Coen Brothers film, where he sings (in a very current pop way), he becomes a bit distracting. I was very aware that Timberlake, probably this generation's Michael Jackson, was sharing the screen. More than likely not his fault, it could be a case of being "too big" for your movie.

One thing that the film has taught me…we need to give Adam Driver more movie roles. Timberlake, Isaac, and Driver put their marks on one of the songs "Please Mr. Kennedy," and make it one of the year's most fun and remarkable numbers.

Joel and Ethan Coen continue to show their ranges in directing and writing. Flawlessly executed in character understanding and keeping our story moving. Llewyn Davis is such a complex and interesting man and their screenplay gives Isaac room to breathe and explore the subtle nuances that make his character unique and real. As their alter ego Roderick Jaynes, the film moves like a smooth monorail, hitting all its marks and picking up new and exciting quirks along the way.

An almost silver-green canvas evokes the dark and grey tones of the New York scene in 1961. Cinematographer Bruno Delbonnel masterfully captures the ticks and beats of Isaac as he sings with heartbreaking emotion and walks through the frigid cold streets. Jess Gonchor's production design places us all in the folk scene, with intimate bar settings, old-time music studios, and even the classic feel of a Greenwich Village apartment building.

CBS Films has a gem on their hands with "Inside Llewyn Davis." A sure- fire Oscar contender in several categories including Best Picture. If there's any justice in the film world, Oscar Isaac would firmly sit near the top of the finest performances of 2013 in Best Actor and nab nearly every award he comes in contact with. "Inside Llewyn Davis" is sensational and an instant classic to be remembered.

Read Oscar Predictions @ The Awards Circuit (http://www.awardscircuit.com)


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Salinger

Salinger (2013)

Salinger (2013)




PG-13 - 120 min - Documentary - 5 September 2013
Big Blue Sky Rating : 5.4/10


Director : Shane Salerno

Stars : Philip Seymour Hoffman, Edward Norton, Judd Apatow, John Cusack

An unprecedented look inside the private world of J.D. Salinger, the reclusive author of The Catcher in the Rye.


Unmasked

I loved this movie and found it thrilling. Only a few days ago did I begin to read Salinger's short stories again as well as RAISE HIGH THE ROOFBEAMS, CARPENTERS. Of course everyone has read THE CATCHER IN THE RYE and I agree it remains a right of passage.

I came to this movie with high hopes and that always scares me, because I set myself up for a downfall. This came through for me.

It is an intense psychological portrait. The 299 days he spent at continuous war, from D-Day to the concentration camps, most certainly carved out his soul to his dying day. And how could it not? As someone who has always been interested in platonic love, I was very moved by his friendship(s) with young women that did not include sex.

This movie thoroughly investigates the ego, drive, and mystery of this artist. The portrait is not always flattering and sometimes it is downright pitiful, but it seems genuine to me.

I would recommend it to not only fans but also any writer or artist who knows something about the thrill of achievement and the horror of fame.

I look forward to the publication of the posthumous work with relish.


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A Madea Christmas

A Madea Christmas (2013)

A Madea Christmas (2013)




PG-13 - Comedy - 13 December 2013


Director : Tyler Perry
Writers : Tyler Perry
Stars : Tyler Perry, Chad Michael Murray, Tika Sumpter, Larry the Cable Guy

Madea gets coaxed into helping a friend pay her daughter a surprise visit in the country for Christmas, but the biggest surprise is what they'll find when they arrive. As the small, rural town prepares for its annual Christmas Carnival, new secrets are revealed and old relationships are tested while Madea dishes her own brand of Christmas Spirit to all.





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American Hustle

American Hustle (2013)

American Hustle (2013)




Crime, Drama - 25 December 2013


Director : David O. Russell
Writers : Eric Singer, David O. Russell
Stars : Christian Bale, Amy Adams, Bradley Cooper, Jennifer Lawrence

A fictional film set in the alluring world of one of the most stunning scandals to rock our nation, American Hustle tells the story of brilliant con man Irving Rosenfeld (Christian Bale), who along with his equally cunning and seductive British partner Sydney Prosser (Amy Adams) is forced to work for a wild FBI agent Richie DiMaso (Bradley Cooper). DiMaso pushes them into a world of Jersey powerbrokers and mafia that's as dangerous as it is enchanting. Jeremy Renner is Carmine Polito, the passionate, volatile, New Jersey political operator caught between the con-artists and Feds. Irving's unpredictable wife Rosalyn (Jennifer Lawrence) could be the one to pull the thread that brings the entire world crashing down.





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Anchorman 2: The Legend Continues

Anchorman 2: The Legend Continues (2013)

Anchorman 2: The Legend Continues (2013)




Comedy - 20 December 2013


Director : Adam McKay
Writers : Will Ferrell, Adam McKay
Stars : Will Ferrell, Christina Applegate, Paul Rudd, Steve Carell

With the 70s behind him, San Diego's top rated newsman, Ron Burgundy, returns to take New York's first 24-hour news channel by storm.





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Riddick

Riddick (2013)

Riddick (2013)




R - 119 min - Action, Sci-Fi, Thriller - 6 September 2013
Big Blue Sky Rating : 6.8/10


Director : David Twohy
Writers : David Twohy, Jim Wheat
Stars : Vin Diesel, Karl Urban, Katee Sackhoff, Jordi Mollà

Betrayed by his own kind and left for dead on a desolate planet, Riddick fights for survival against alien predators and becomes more powerful and dangerous than ever before. Soon bounty hunters from throughout the galaxy descend on Riddick only to find themselves pawns in his greater scheme for revenge. With his enemies right where he wants them, Riddick unleashes a vicious attack of vengeance before returning to his home planet of Furya to save it from destruction.


Riddick - just as bad-ass as the previous ones!

Just saw the movie and loved it. I greatly enjoyed the first and second films so I've been looking forward to this since it was announced. It's a great sci-fi bad-ass action movie. Plenty of cheesy one-liners and good action scenes set in a sci-fi world.

The story wasn't anything spectacular, no breaking new ground here but it does set the stage for the next (hope we get a next!!!!). Graphics were well-done, alien life wasn't anything unique but were suitably scary.

If you liked the 1st and/or 2nd film you'll enjoy this. It pays more homage to the 1st than the 2nd. Vin Diesel does another great job acting as Riddick and you'll be cheering for the anti-hero as usual.

I personally am hoping the series continues, can't get enough of this! hope you enjoy!


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The Hobbit: The Desolation of Smaug

The Hobbit: The Desolation of Smaug (2013)

The Hobbit: The Desolation of Smaug (2013)




Adventure, Drama, Fantasy - 13 December 2013


Director : Peter Jackson
Writers : Fran Walsh, Philippa Boyens
Stars : Martin Freeman, Ian McKellen, Richard Armitage, Benedict Cumberbatch

After successfully crossing over (and under) the Misty Mountains, Thorin and Company must seek aid from a powerful stranger before taking on the dangers of Mirkwood Forest--without their Wizard. If they reach the human settlement of Lake-town it will be time for the hobbit Bilbo Baggins to fulfill his contract with the dwarves. The party must complete the journey to Lonely Mountain and burglar Baggins must seek out the Secret Door that will give them access to the hoard of the dragon Smaug. And, where has Gandalf got off to? And what is his secret business to the south?





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Saturday, October 12, 2013

Shuddh Desi Romance

Shuddh Desi Romance (2013)

Shuddh Desi Romance (2013)




141 min - Comedy, Drama, Romance - 6 September 2013
Big Blue Sky Rating : 5.9/10


Director : Maneesh Sharma
Writers : Jaideep Sahni
Stars : Sushant Singh Rajput, Parineeti Chopra, Rishi Kapoor, Vaani Kapoor

What happens when three young people in today's changing India try to figure out what love, attraction and commitment mean to each of them? Raghu (Shushant Singh Rajput) needs a woman in his life -the rest he's going to figure out along the way. Gayatri (Parineeti Chopra) has been around the block a few times and knows the scene, warts and all. Tara (Vaani Kapoor) knows what's right for her, but a little experimenting never did hurt anybody, did it? When their lives crisscross, their beliefs get challenged, and their loves, tested. We all want it all...the love, the sex, the relationship, the commitment. But when we get it, it may not be in the way we recognize.


Fresh, entertaining and extra points for an attempt to break the orthodox.

Yes, the storyline is rather fidgety. But since when did we become so staunch about the storyline from movies under Yash Raj Films banner? Acting is above average, Rishi Kapoor tops the list, of course. No surprises there. The script is entertaining and funny. Well, more often than not.

But the 7 / 10 is mostly because of the statement or the point that this movie tried to make about marriages in India. And even amidst the inconsistency of the movie, there is enough food for thought for this generation and for the country as a whole.

As India slowly turns into an epitome of hypocrisy as a country, I have a feeling that this movie won't be acceptable by the average Indian audience though there is no sex or foreplay as such. But hey, curvy girls in bikinis running on the beach in some Salman Khan movie is just fine! As long as there is objectification.

There are however both sexual and non-sexual peeves (for the Indian audience) thrown all over the movie and I found them brilliant as well as hilarious. Go ahead, take your family to this movie. Make them a little uncomfortable and be a little uncomfortable as well. Monkeys make out, we do too. It's okay! For once, don't judge.

Bottomline: Definitely entertaining. Definitely funny. Yes, it is a little mindless and the story wanders off at times. But it's worth the watch!


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The Monuments Men

The Monuments Men (2013)

The Monuments Men (2013)




Action, Adventure, Comedy, Drama, History, Thriller, War - 18 December 2013


Director : George Clooney
Writers : George Clooney, Grant Heslov
Stars : George Clooney, Cate Blanchett, Matt Damon, Bill Murray

Based on the true story of the greatest treasure hunt in history, The Monuments Men is an action drama focusing on an unlikely World War II platoon, tasked by FDR with going into Germany to rescue artistic masterpieces from Nazi thieves and returning them to their rightful owners. It would be an impossible mission: with the art trapped behind enemy lines, and with the German army under orders to destroy everything as the Reich fell, how could these guys - seven museum directors, curators, and art historians, all more familiar with Michelangelo than the M-1 - possibly hope to succeed? But as the Monuments Men, as they were called, found themselves in a race against time to avoid the destruction of 1000 years of culture, they would risk their lives to protect and defend mankind's greatest achievements. From director George Clooney, the film stars George Clooney, Matt Damon, Bill Murray, John Goodman, Jean Dujardin, Bob Balaban, Hugh Bonneville, and Cate Blanchett. The screenplay is by ...





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The Secret Life of Walter Mitty

The Secret Life of Walter Mitty (2013)

The Secret Life of Walter Mitty (2013)




Adventure, Comedy, Drama, Fantasy - 25 December 2013
Big Blue Sky Rating : 6.5/10


Director : Ben Stiller
Writers : Steve Conrad, James Thurber
Stars : Ben Stiller, Kristen Wiig, Adam Scott, Patton Oswalt

An office worker who lives inside fantasy worlds where he gets to live an adventurous life while romancing his co-worker sets off a global journey to fix things when both of their jobs are threatened.


"Walter Mitty" misfires on several cylinders...

NEW YORK FILM FESTIVAL: The East Coast crowd was the first to finally get a look at Ben Stiller's long-awaited remake of "The Secret Life of Walter Mitty" in which he stars with Academy Award nominee Kristen Wiig and Academy Award winners Shirley MacLaine and Sean Penn. Expectations were high following a trailer that wowed many with its visual style and seemingly interesting premise. In the end, Stiller's take on the 1947 classic is rather bombastic and brings forth narrative clichés and messy executions. This isn't to say it's a complete misfire. There are definite and obvious positives to take away.

The entire camera work by Stuart Dryburgh, most notable for his work on Jane Campion's "The Piano" twenty years ago, is smoothly appealing with stunning shots for the audience to sink their teeth into. As the film travels throughout different parts of the world including Iceland and Greenland, two places that haven't been explored that much in film according to screenwriter Steve Conrad, are stunning. We have to give credit to director Stiller who knows how to frame his films exceedingly well. There are elements where he takes his cues from films like "Stranger than Fiction" and "Garden State." At the press conference he mentioned watching "The Apartment" with the cast in order to get a feel for what he wanted this sprawling epic to feel like. Unfortunately, "Walter Mitty" doesn't resemble nor bring any of the feelings that the Oscar-winning Best Picture was able to achieve.

Attempting to take Stiller on as a "visionary" director seemed a bit far-fetched when his filmography have included the comedic greats like "Tropic Thunder" and "Reality Bites." This is surely his most ambitious effort he's attempted. One thing is for sure, Stiller hasn't been this good in front of the camera in his entire career. While the narrative structure of "Walter Mitty" is incredibly uneven and stereo typically constructed, Stiller puts some of his acting chops forward. It's good to see him in something like this. A Golden Globe nomination could definitely come his way. Steve Conrad's script is a jumbled farce, misfiring on comedic executions and inserting beats that have no real relevance to the story. A "Benjamin Button" joke, though funny to watch, provides no purpose to our tale. I'm also tired of watching the "nerdy office guy" transform himself into the cool and collected man by film's end. Note to filmmakers, just because your main character is in a shirt and tie at the beginning of the movie, you can't just let them grow a beard, put on a sweater and jeans, and suddenly the audience is supposed to believe he's this "new person." This movie is an epic fantasy tale about a man who daydreams about things that would be more outlandish than the real world. There's a false sense of reality when we're in the "real world." Jumping on a plane, suddenly flying across the world, and then receiving cell phone reception in the Himalayas is not exactly something that would happen in today's age.

Kristen Wiig really tries, god bless her soul. Playing our love interest Cheryl, Wiig is a recently divorced, single mom who, for no real reason whatsoever, takes an interest in Walter's "mystery" that he must solve. Wiig's "moment" is unfortunately cut short by a directorial choice by Stiller. A scene of her playing guitar and singing the first few bars of "Space Odyssey" by David Bowie builds up before being cut short by an insertion of the original number. Wasted. It did make me pop it in on my way home so I guess it's not a complete miss.

Oscar winners Sean Penn and Shirley MacLaine are the best of the cast, using their veteran style and wits to make a wonderful and memorable impression. Same goes for Kathryn Hahn, who needs a great role in the near future. She's versatile in comedy as we've seen in "Step Brothers" but she excels just as well in serious, heartbreaking turns like in "Revolutionary Road." She doesn't have much to offer our tale in this case. No fault of her own. Should also mention that Adam Scott from NBC's "Park and Recreation" is probably one of the funniest villains of the year. His comedic timing is pretty spot on and continues to shine in sleazy, douchebag roles.

Let's not forget that this tale builds up to a final image that is rather anti-climatic and much of a letdown. I can appreciate the respect and passion that Stiller has for the source material and more times than not, the film is entertaining. Mass audiences will probably fall for it in a big way especially around the holidays.

From the looks of it, the film is going to be incredibly divisive. Some will love it, others will be disappointed. I unfortunately fall more towards the latter of that equation. "Walter Mitty" is a decent time at the movie and is definitely in contention for several technical Oscars. Things like Production Design, Cinematography, and Visual Effects are possibilities.

"The Secret Life of Walter Mitty" opens in theaters December 25.


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Saving Mr. Banks

Saving Mr. Banks (2013)

Saving Mr. Banks (2013)




PG-13 - 125 min - Biography, Comedy, Drama, Family, History, Music - 20 December 2013


Director : John Lee Hancock
Writers : Kelly Marcel, Sue Smith
Stars : Emma Thompson, Tom Hanks, Ruth Wilson, Colin Farrell

When Walt Disney's daughters begged him to make a movie of their favorite book, P.L. Travers' "Mary Poppins," he made them a promise - one that he didn't realize would take 20 years to keep. In his quest to obtain the rights, Walt comes up against a curmudgeonly, uncompromising writer who has absolutely no intention of letting her beloved magical nanny get mauled by the Hollywood machine. But, as the books stop selling and money grows short, Travers reluctantly agrees to go to Los Angeles to hear Disney's plans for the adaptation. For those two short weeks in 1961, Walt Disney pulls out all the stops. Armed with imaginative storyboards and chirpy songs from the talented Sherman brothers, Walt launches an all-out onslaught on P.L. Travers, but the prickly author doesn't budge. He soon begins to watch helplessly as Travers becomes increasingly immovable and the rights begin to move further away from his grasp. It is only when he reaches into his own childhood that Walt discovers the ...





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The Ultimate Life

The Ultimate Life (2013)

The Ultimate Life (2013)




PG - Drama - 6 September 2013
Big Blue Sky Rating : 3.9/10


Director : Michael Landon Jr.
Writers : Brian Bird, Cheryl McKay
Stars : Logan Bartholomew, Peter Fonda, Ali Hillis, Bill Cobbs

Jason Stevens survived the journey his grandfather Red Stevens sent him through for "the Ultimate Gift". Now...That gift which includes managing a Billion dollar foundation is being challenged by his own family. In a courtroom battle...his assets are seized...his love interest with Alexia gets complicated...Jason could lose it all...He is now on a quest to discover what it truly means to fulfill his destiny...And Live.


It feels like DVD bonus material for the original film

I really enjoyed The Ultimate Gift (original film) and saw it at a time in my life where it really hit home and really registered with me. I was greatly looking forward to this sequel. Having said that, something seemed missing this time around. To be honest, this entire movie feels like DVD bonus material for that original film. That's not a bad thing but despite a great message, this effort feels lacking. I enjoyed the Red Stevens back story but the writing and story feels somewhat shallow and incomplete. Since I enjoyed and was moved by the first film, this extended look appealed to me. Truthfully, as a stand alone film it really doesn't hold up well at all even delivering a wonderful message and few points to live by and dwell upon.

More than worth watching if you enjoyed the first film.


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Her

Her (2013)

Her (2013)




120 min - Comedy, Drama, Romance, Sci-Fi - 10 January 2014
Big Blue Sky Rating : 6.1/10


Director : Spike Jonze
Writers : Spike Jonze
Stars : Joaquin Phoenix, Amy Adams, Scarlett Johansson, Rooney Mara

A lonely writer develops an unlikely relationship with his newly purchased operating system that's designed to meet his every need.


Just about the best thing you can see in 2013...

Talk about closing with a bang. Spike Jonze's long-awaited original film about a writer that falls in love with his operating system is not only the best film to play at this year's New York Film Festival; it very well could be the very best film of the year. "Her" is the finest writing and directorial endeavor of Spike Jonze's career. And then there's the towering and crowning work of Academy Award nominee Joaquin Phoenix who proves once again, he's the finest actor working today, hands down. You can't find a more dynamic and compelling story about the human connection and where we're headed as a society.

When "Her" opens up, it snaps you immediately into the story. Phoenix plays Theodore, a writer for a website that makes letters for just about anyone. As he tries to find life during the midst of his divorce from his wife Catherine (played by a beautiful Rooney Mara), Theodore finds solace in a friendship with a new OS (operating system) named Samantha (voiced by Scarlett Johansson). The two develop a relationship in a world where OS's are becoming the norm with society.

Jonze's has never been the conventional director as we've seen in his other brilliant efforts "Being John Malkovich" and "Where the Wild Things Are." Jonze sets out to tell a story and deliver all the intricate details for us to understand each character. His focus on Theodore, giving him a real sense of loneliness without falling into cliché character ticks and beats that we've seen countless times in other romantic films, Jonze constructs a real man living in a world where technology has taken precedent over human connection.

Christopher Nolan should take notes from Jonze on the assembling of female counterparts in a story. Catherine and Theodore's friend Amy, played by the always dependable Amy Adams, both feel genuinely authentic. Mara, who's already delivered one other powerful performance in "Ain't Them Bodies Saints" earlier this year, is finely utilized. She shows once again that she's a true professional, with limited screen time (many in flashbacks); she can staple herself in your memory.

Amy Adams is always the sprinkle on top in all of her films. As "Amy," the awkward friend and neighbor who sympathizes more with Theodore more than she'd like to, Adams expertly executes. With four prior Oscar nominations to her credit, her stunning portrayal is just another fantastic pin to add to her credits. She could find traction during the awards season if the film hits in the right way. That's also part to the petty Oscar rules about rewarding voice performances because if that wasn't the case, Scarlett Johansson would be on stage holding an Oscar of her own next March. As "Samantha," Johansson has never tapped into the essence of her abilities as an actress the way she does in "Her." As an OS, full of wonder and curiosity, "Samantha" is essentially a child. Learning at a rapid rate and studying the behaviors of the human mind, she looks at the world through the eyes of Theodore. Johansson holds our hand in through the tale, even when her voice isn't on screen. This is the type of work that could convince the Board of Governors to rethink the eligibility of an acting performance. This is a masterful work that I'll remember for years to come.

And then there's Joaquin Phoenix...oh, Mr. Phoenix. Fresh off his historic performance in Paul Thomas Anderson's "The Master" just a year ago, I didn't think he could impress me so soon and yet here we are. His sensitive and perceptive take on the role is what films are all about. It's one of the best things that 2013 has offered and a performance that could land him his first Oscar. I think Phoenix himself was impressed with the work he and his colleagues have accomplished. At the press conference, he actually gave an answer to one of the questions from the audience. If anyone was in attendance at the conference for James Gray's "The Immigrant" - a prickly, disengaged Phoenix put on his sunglasses and put the microphone on the floor. This is a performance that you can identify with. He's not simply awkward for the sake of being, he has baggage and connection issues. There's sincerity in his words and mannerisms. A getaway in a cabin, alone but with "Samantha" encapsulates everything about Theodore. Phoenix achieves the impossible and is an instant Oscar contender.

But "Her" isn't just about the writing and performances; it's an all- around technical marvel. Most notably the Production Design of K.K. Barrett, who has worked on "Where the Wild Things Are." Our story takes place in a futuristic (though never said how far ahead) Los Angeles and with shooting overseas, Barrett captures the clout of the city and its inside counterparts. Cinematographer Hoyte Van Hoytema's use of colors and smooth palettes are things of a dream. Affectionately snuggling up to Phoenix as he whispers the sweetness of words to "Samantha" or the sweetness of a new letter at work, Hoytema has quickly become one of my favorite DP's, especially following "Tinker, Tailor, Soldier, Spy" and "Let the Right One In." Arcade Fire and Karen O. are simply magic in their music that accompanies our story about love. A modern yet classical composition that in key scenes could move you to tears.

"Her" is one of the best love stories I've witnessed in some time. Charlie Kaufman will always have the honor of penning my favorite love story of all-time "Eternal Sunshine of the Spotless Mind" but Spike Jonze and "Her" are giving it a true run for the money at the moment. Warner Bros. must know what they have with a limited release in late November; this...

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Friday, October 11, 2013

Kai po che!

Kai po che! (2013)

Kai po che! (2013)




NOT RATED - 120 min - Drama - 22 February 2013
Big Blue Sky Rating : 7.6/10


Director : Abhishek Kapoor
Writers : Chetan Bhagat, Abhishek Kapoor
Stars : Amit Sadh, Sushant Singh Rajput, Raj Kumar Yadav, Amrita Puri

Three friends growing up in India at the turn of the millennium set out to open a training academy to produce the country's next cricket stars.


Brimming Niceties, Fantastic Performances & A Scintillating Ode To Friendship (& Its Destruction)!

Kai Po Che, thus gives Bollywood a new wave of actors. Sushanth is a charmer. Amit Sadh is elegant and genuine. Yadav is creepy but portrays his role fantastically. The supporting cast is bold with Manav Kaul getting my uninterrupted attention. The music goes haywire sometimes, but the direction compensates it. Cinematography, I perceive has been a copy of Dil Chahta Hai while screenplay is non-linear & appreciable. The climax is different from the book & adds up little emotion to the film. Even if you haven't read the book, this one will give you a total feel of it.

"I took the pains of making 3 Rock Ons!! for this," Anhishek Kapoor was himself quoted saying. And I second that. The glory of this adaptation is its screenplay, run time (135 minutes) & the audacity of film-making as a whole.

Yes, there are some ennui-inducing sequences specially the romance thing which might... MIGHT annoy at times, but that is passable. Not much of dilly-dallying or item songs or stereotype ridden script or dialogs, this one. Indeed, KPC is a victory in itself! Yes, Gujarati people say it after achieving victory over kite flying, but after watching this, I too can say pretty much the same phrase with oomph. Except that the political hue was necessary, but the gore & violence made it look cranky. 7/10 for compressing such a magnificent book into a short film.

BOTTOM LINE: Kai Po Che! is a pretty good film; a must watch this weekend (compared to Zilla Ghaziabad), but talking it with the likes of Dil Chahta Hai or Rock On!! would be mild disgrace to the latter because KPC doesn't talk more about friendship than it talks about its destruction. KPC will make you think, but it is not a GREAT* film as it tries very hard to achieve but still gets a cold spot.

WATCH OUT FOR: Sushanth Singh Rajput, Manav Kaul, Amit Sadh & some tit- bits.

*refers to actual meaning in the dictionary with in celluloid context.

Can be watched with a typical Indian family? YES

Language: Very Mild | Sex: No | Nudity: Very Mild | Smoking & Alcohol: Mild | Violence: Very Critical | Gore: Mediocre | Mouth-Kiss & Foreplay: Mild | Traumatizing Quotient: Strong


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