Showing posts with label 2010. Show all posts
Showing posts with label 2010. Show all posts

Sunday, October 13, 2013

The Fighter

The Fighter (2010)

The Fighter (2010)




R - 116 min - Biography, Drama, Sport - 17 December 2010
Big Blue Sky Rating : 7.9/10


Director : David O. Russell
Writers : Scott Silver, Paul Tamasy
Stars : Mark Wahlberg, Christian Bale, Amy Adams, Melissa Leo. A look at the early years of boxer "Irish" Micky Ward and his brother who helped train him before going pro in the mid 1980s." />

The Fighter is a drama about boxer "Irish" Micky Ward's unlikely road to the world light welterweight title. His Rocky-like rise was shepherded by half-brother Dicky, a boxer-turned-trainer on the verge of being KO'd by drugs and crime.


Fighting in and out of the ring

Wow, what a movie. It's an inspirational true story of a boxer finally getting his break. It's also a story of addiction, and how it can affect loved ones. And above all, it's about family. There are some great boxing scenes in THE FIGHTER, they feel authentic and brutal, but the true fight is really outside the ring. Which is not to say this is an overbearing melodrama, no, far from it. It handles the subject matter gracefully. It has a lot of heart and can be quite funny, and there are some humorously absurd moments, something director David O. Russell has proved to be very good at providing.

Mark Wahlberg gives a great performance playing the lead character, Micky. This is Wahlberg's most reserved and complex role to date. Micky has an unbreakable devotion to his family, which both strengthens and cripples him. He never really speaks for himself, and would rather suffer than upset those around him. Through the course of the movie the character really grows, thanks to the help of a good woman by his side. Mark Wahlberg shows a side of himself we've never seen before, this isn't the over-the-top badass THE DEPARTED Wahlberg, which don't get me wrong, is awesome too, but he finds a different range here. Truly the guy has come a long way from The Funky Bunch.

Christian Bale is absolutely phenomenal in his scene-stealing role as Micky's drug-addicted brother. This is such a great character that Bale really brings a lot of depth to. Dicky's easily angered, often detached and oblivious to how his affliction is affecting his life. He's also ashamed and vulnerable. He's not the most reliable guy in the world and he's in need of a serious wake-up call. But the thing is...you can completely understand why Micky would stand by him for so long. Underneath it all, he really is a great guy, full of energy and affection- somebody you'd really want in your corner. This is sure to go down as one of Bale's most remembered roles, and hopefully his enormous talent will finally be recognized by winning an Academy Award for it.

Behind every great man is a great woman, and Amy Adams also delivers a fantastic performance as Micky's girlfriend, who really helps him develop some backbone and at the same time is able to find some clarity in her misguided life. She's great in her role, and I'd be lying if I said I didn't thoroughly enjoy the eye-candy she brings to the movie. She has her fair share of revealing outfits and in one scene is shown wearing a see-through bra. Now THAT'S great filmmaking!

Also notable, just because it stood out to me, is that Conan O'Brien's sister, Kate, has a role in the movie, playing one of Micky's sisters. I sort of wish I wasn't privy to this information before seeing it because her resemblance to the goofy talk show host is uncanny...and a little disturbing.

I don't know why a lot of the most involving sports movies happen to be about boxing, I guess there's just something so primal and against all logic about people that get the crap beaten out of them for a living. It's worth knowing what makes these people tick. Yes, this is based on a true story, but I'm sure it's been tailored to fit Hollywood needs. Events have likely been rearranged and certain moments probably fabricated or altered, but THE FIGHTER doesn't attempt to portray the family shown here in a completely positive light. Nobody is a saint here, and everyone has their faults. When it finally arrives at its conclusion it is relieving, satisfying, and yes, inspiring. This is ultimately a happy story well deserving to be told on film but the sad reality is that there are no doubt hundreds and hundreds of similar stories that didn't end up quite as well. I can't tell you what exactly makes the family depicted in this movie so special. Maybe they're stronger, and more willing to compromise, and just maybe a little lucky, too. But I was left recalling a scene from the movie THE STRAIGHT STORY, where Richard Farnsworth lays down some wisdom upon a teenage runaway: he told her how he would give each of his kids a stick and ask them to snap them, which was easy. Then he'd give them a whole bundle, which couldn't be broken. "That's family."


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Friday, October 11, 2013

Band Baaja Baaraat

Band Baaja Baaraat (2010)

Band Baaja Baaraat (2010)




139 min - Comedy, Drama, Romance - 10 December 2010
Big Blue Sky Rating : 7.2/10


Director : Maneesh Sharma
Writers : Amitabh Bhattacharya, Habib Faisal
Stars : Ranveer Singh, Anushka Sharma, Manu Rishi Chadha, Manish Chaudhary

After Delhi-based slacker-collegian, Bittoo Sharma's father asks him to return home to work in the sugar-cane fields, he refuses and decides to partner with career-minded wedding planner, Janakpuri-based Shruti Kakkar. She refuses to have to do anything with him, but after he impresses her, she partners with him, they set up 'Shaadi Mubarak' and begin organizing small wedding celebrations with struggling restaurateur and florist, Rajinder Singh and Maqbool respectfully. The duo hit big time after they organize a wedding party at Sainik Farm and begin to have dreams of bettering their lives. It is then Shruti realizes that she has fallen in love with Bittoo, and is embittered when he does not reciprocate. This bitterness gets worse, and the duo split up, with Bittoo opening 'Happy Weddings' - resulting in a downward spiral of their performance. With creditors hovering over them, no money coming in, Shruti finally gives way to her parents' wishes and agrees to get married to Dubai-based...


Truly surprisingly amazing movie!

I started this movie with a feeling just like I'm going to watch another regular comedy film. But as the movie progresses, I got stuck to my place and I forget that its just a movie. It feel like its a journey of two ambitious friends who learn every aspect of life with experience and with each other. Undoubtedly its a story of its kind and I'm very pleased to see it. Ranveer's acting is amazing. There are few actors whom you believe that they are not acting but playing real. He is one of that guy. I'm waiting for another movie of his. And Anushka is charming and energetic as always. Overall, its a surprisingly amazing movie!


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Greenberg

Greenberg (2010)

Greenberg (2010)




R - 107 min - Comedy, Drama, Romance - 1 April 2010
Big Blue Sky Rating : 6.1/10


Director : Noah Baumbach
Writers : Jennifer Jason Leigh, Noah Baumbach
Stars : Ben Stiller, Greta Gerwig, Jennifer Jason Leigh, Rhys Ifans

We like Florence: she's considerate, sweet, pretty, and terrific with kids and dogs. She's twenty-five, personal assistant to an L.A. family that's off on vacation. Her boss's brother comes in from New York City, fresh from a stay at an asylum, to take care of the house. He's Roger, a forty-year-old carpenter, gone from L.A. for fifteen years. He arrives, doesn't drive, and needs Florence's help, especially with the family's dog. He's also connecting with former band-mates - two men and one woman with whom he has a history. He over-analyzes, has a short fuse, and doesn't laugh at himself easily. As he navigates past and present, he's his own saboteur. And what of Florence? is Roger one more responsibility for her or something else?


Hitting 40 Plus and Asking 'What Happened'

I was under the impression that this would be another wacky Ben Stiller comedy. When I started watching it and learned that Noah Baumbach (who had previously made the excellent 'Margot at the Wedding') was the director, I knew this was going to be a different kind of movie that would probably reveal a different side of Ben Stiller's acting. Many have described this to be for Stiller what 'Punch Drunk Love' was for Adam Sandler and 'Stranger Than Fiction' was for Will Ferrell.

Baumbach's 'Greenberg' is a character driven piece that centres on Roger Greenberg (Ben Stiller), who recently left a mental asylum and is back in town to housesit for his brother who's away on holiday. He falls for his brother's assistant and tries to pick up the pieces of a life he had once left behind while going through a midlife crisis.

Like he did with 'Margot at the Wedding', Baumbach's execution is lowkey and his narration mostly relies on the interactions between the characters and the protagonist's quiet moments when he/she is alone. The art direction is suitably minimal and the camera-work is solid. The dry humour is very effective and consistent with the atmosphere Baumbach creates.

Ben Stiller does a remarkable job with an effortless performance. This is definitely a departure from what he's familiar with and he proves that he can deliver a restrained performance when required. Rhys Ifans is equally good. Jennifer Jason Leigh (who also co-wrote the screenplay) provides fine support on both counts. Greta Gerwig is competent.

Baumbach has done it again, successfully telling a complex story that appears to be much more than what shows on the surface.


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Wednesday, October 9, 2013

Incendies

Incendies (2010)

Incendies (2010)




R - 139 min - Drama, Mystery, War - 12 January 2011
Big Blue Sky Rating : 8.1/10


Director : Denis Villeneuve
Writers : Valérie Beaugrand-Champagne, Wajdi Mouawad
Stars : Lubna Azabal, Mélissa Désormeaux-Poulin, Maxim Gaudette, Mustafa Kamel

A mother's last wishes send twins Jeanne and Simon on a journey to the Middle East in search of their tangled roots. Adapted from Wajdi Mouawad's acclaimed play, Incendies tells the powerful and moving tale of two young adults' voyage to the core of deep-rooted hatred, never-ending wars and enduring love.


Fantastic! Villeneuve's best film yet

This film is extraordinary on just about every level. The script is terrific, the actors are perfect, the direction and cinematography are all you could hope for. I recommend it without hesitation.

Anyone who has seen any of Villeneuve's previous work--or Andre Turpin's Zigrail--knows that these filmmakers have bodies of work that are almost without peer in contemporary cinema world-wide and are unparallelled in the history of Canadian cinema (until seeing Incendies, Maelstrom was my favourite Canadian film). Incendies does not betray that "legacy". You should absolutely see it.

In a film as stunning as this one it's odd to single out one aspect, but I must say that Lubna Azabal's performance is among the best I've ever seen. Though I've watched a few films that she's been in in the past, she never really stood out for me. She is devastatingly good in this picture.

I do hope that this film gets submitted to the AMPAS for Oscar selection as it is definitely the best film I've seen this year and a shoe-in for the foreign picture Oscar.

My only complaint about the film was the use of music by Radiohead, which took me out of the film each time it played. The rest of the music cues were spot-on and quite excellent, but Thom Yorke's voice belonged nowhere near this film.


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Iron Man 2

Iron Man 2 (2010)

Iron Man 2 (2010)




PG-13 - 124 min - Action, Adventure, Sci-Fi - 7 May 2010
Big Blue Sky Rating : 7.0/10


Director : Jon Favreau
Writers : Justin Theroux, Stan Lee
Stars : Robert Downey Jr., Mickey Rourke, Gwyneth Paltrow, Don Cheadle

With the world now aware of his dual life as the armored superhero Iron Man, billionaire inventor Tony Stark faces pressure from the government, the press, and the public to share his technology with the military. Unwilling to let go of his invention, Stark, along with Pepper Potts, and James "Rhodey" Rhodes at his side, must forge new alliances - and confront powerful enemies.


Solid action-packed funny sequel

I liked it a lot better than the mixed reviews I was reading would have led me to believe. It's not as fresh as the original, but the charisma and humor were there, and so were some great surprises. RDJ was amazing as always - it's hilarious that Iron Man is a funnier superhero than Spiderman, but the improv makes it work. Thumbs up! I think that anyone who enjoyed the first movie will like this as well, and enjoy a great thrill ride! And don't forget to stay after the credits for yet another Marvel movie tie-in that leads towards the inevitable Avengers movie in 2012! Don Cheadle did a good job - ScarJo was good, but not what I imagined the Black Widow to be like, but she *was* hot... And Gwyneth did her usual impeccable job. Mickey Rourke added weight to what could have been a cardboard cutout stereotype, and Sam Rockwell's character, though annoying, was well played.


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Tuesday, October 8, 2013

The Kids Are All Right

The Kids Are All Right (2010)

The Kids Are All Right (2010)




R - 106 min - Comedy, Drama - 30 July 2010
Big Blue Sky Rating : 7.1/10


Director : Lisa Cholodenko
Writers : Lisa Cholodenko, Stuart Blumberg
Stars : Annette Bening, Julianne Moore, Mark Ruffalo, Mia Wasikowska

Nic and Jules are in a long term, committed, loving but by no means perfect relationship. Nic, a physician, needs to wield what she believes is control, whereas Jules, under that control, is less self-assured. During their relationship, Jules has floundered in her "nine to five" life, sometimes trying to start a business - always unsuccessfully - or being the stay at home mom. She is currently trying to start a landscape design business. They have two teen-aged children, Joni and Laser, Nic who is Joni's biological mother, and Jules who is Laser's biological mother. Although not exact replicas, each offspring does more closely resemble his/her biological mother in temperament. Joni and Laser are also half-siblings, having the same unknown sperm donor father. Shortly after Joni's eighteenth birthday and shortly before she plans to leave the house and head off to college, Laser, only fifteen and underage to do so, pleads with her to try and contact their sperm donor father. Somewhat ...


Domestic Life in THE KIDS ARE ALL RIGHT

The nuclear family takes on a different spin when both parents are same sex and the kids are the product of a male sperm donor in The Kids Are All Right. When traumatic upheaval and revelations strike such a family, the results can be amusing and also tragic. Annette Bening and Julianne Moore highlight an insightful script about domesticity turned on its head.

Nic (Bening) and Jules (Moore) are lesbian parents of two teens, Joni and Laser. One day the children research and contact their biological father, Paul (Mark Ruffalo), who agrees to meet his progeny. After an awkward first meeting, things actually go well as the new family connections are explored by the kids and their newly found father. The couple of Nic and Jules are a contrast; Nic is the physician who is totally controlling while Jules is still trying to find herself with a new business of landscaping. Laser hangs with the wrong crowd and begins to realize that he deserves better through his bond with Paul. Joni is trying to assert herself as an adult and prepares to go to college. The moms show a parental responsibility to watch over their children and want to meet the dad. When Paul hires Jules to do work on his restaurant landscape, the two connect. As Paul's influence begins to overcome the family, Nic feels left out. But there is an attraction between Jules and Paul that leads to a torrid affair, and when Nic discovers the truth, the family is torn apart. Into this mix are two maturing children whose emotions will be tested throughout.

The roles are well acted especially by Benning as a betrayed spouse, and in particular, her scene of revelation about Jules is a marvel of expressiveness and devastating heartbreak. This culminates in a powerful moment with all the principals present at Paul's dinner table. Moore gives solid support and shines in her heartfelt plea to her family near the end. The ensemble is well cast particularly Ruffalo whose almost bystander role is suddenly elevated to catalyst and disruptor of the family's dynamic.

The story has a nice balance of serious tones and comedic elements born out of the situations. The themes work on several levels like ingredients of a zesty recipe: the family chemistry, the couple of Nic and Jules, the kids' developing bond with Paul, Paul and Jules, and shake and mix well. Everyone has needs and wants, and the strongest is a need to belong to a family and the need to connect with another human being whether it be Laser and his friends, Paul and Jules, Paul and his children, and Nic and Jules. Amid the conflicts, no one escapes unscathed. There are no real heroes or villains here, only hard truths about life and relationships.

The fact that two lesbians are having the conflict over infidelity may seem novel on the surface, but it could easily have been a heterosexual couple. In fact the notion of two lesbians virtually disappears as we witness and understand this family unit with its warts and all. It could be any family when you think about it. The fact that both Benning and Moore play their respective spousal roles so convincingly is a testament to their acting skills playing off an excellent script by Stuart Blumberg and Lisa Cholodenko, who also directs. The ending rings true and shows not only how far the relationships have come, but how that foundation, despite some serious challenges, is strong enough to survive. Life moves on, and there is hope for the future.

There are not a lot of loose ends in this story although, toward the end, it would be nice to get a bit more resolution to Ruffalo's character. The film does contains a couple of brief explicit sex scenes without which this would essentially be a PG rated film. There is little to quibble about, and the viewer gets to experience one of the more insightful domestic dramas in recent years.


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Monday, October 7, 2013

Senna

Senna (2010)

Senna (2010)




PG-13 - 106 min - Documentary, Biography, Sport - 25 May 2011
Big Blue Sky Rating : 8.5/10


Director : Asif Kapadia
Writers : Manish Pandey
Stars : Ayrton Senna, Alain Prost, Frank Williams, Ron Dennis

The story of the monumental life and tragic death of legendary Brazilian motor-racing Champion, Ayrton Senna. Spanning the decade from his arrival in Formula One in the mid 80's, the film follows Senna's struggles both on track against his nemesis, French World Champion Alain Prost, and off it, against the politics which infest the sport. Sublime, spiritual yet, on occasion, ruthless - Senna conquers and transcends Formula One to become a global superstar. Privately, he is humble, almost shy, and fiercely patriotic, donating millions to his native Brasil and contemplating a life beyond motor-racing. Yet he is struck down in his prime on the blackest weekend in the history of the sport, watched live on television by 300 million people. Years on he is revered in Formula One as the greatest motor racing driver of all time - and in Brasil as a Saint.


Truly Remarkable

I had been a Fan of Ayrton when I was a child. I distinctly remember watching the F1 highlights with my dad. My dad was a seasonal fanatic of sports and kept updating me with the news from the papers/sports magazines and the television.

To relive the moments of Ayrton (the idol) in this emotionally gripping documentary was unbelievably comforting. The script and flow of the events were so flawlessly presented taking one's memory into the Time travel of decade gone by. It was nothing short of Excellence in execution.

The documentary dissects Ayton's persona in a subtle way, making it the most compelling Biography of all times. The back-ground score by Antonio Pinto was Enthralling and Sensual delight.

This is not to be missed, sad that I had been to the cinema only on the final day when it was shown-much regret the delay. Nevertheless, Its a true Masterpiece which portrays the subtle sadness of a legend's demise in a sweet throat stifling moments.


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Sunday, October 6, 2013

True Grit

True Grit (2010)

True Grit (2010)




PG-13 - 110 min - Adventure, Drama, Western - 22 December 2010
Big Blue Sky Rating : 7.7/10


Director : Ethan Coen, Joel Coen
Writers : Joel Coen, Ethan Coen
Stars : Jeff Bridges, Matt Damon, Hailee Steinfeld, Josh Brolin

Following the murder of her father by hired hand Tom Chaney, 14-year-old farm girl Mattie Ross sets out to capture the killer. To aid her, she hires the toughest U.S. marshal she can find, a man with "true grit," Reuben J. "Rooster" Cogburn. Mattie insists on accompanying Cogburn, whose drinking, sloth, and generally reprobate character do not augment her faith in him. Against his wishes, she joins him in his trek into the Indian Nations in search of Chaney. They are joined by Texas Ranger LaBoeuf, who wants Chaney for his own purposes. The unlikely trio find danger and surprises on the journey, and each has his or her "grit" tested.


Print the legend..

Few directors working today in America have mastered form like the Coens, I discover this with every new film they make. True Grit is a commercial film made to please but I don't see a compromise in the making and it's still a distinctly Coen film if you pay notice. Try to take out the Coen character from the film and the film breaks apart, it's that tightly woven in the fabric of it.

A Coen film works for me in the face of it, but I'm always on the lookout for what goes on behind, for the unseen cogs that grind out the fates of their characters. As with No Country, I came to this film looking to see is there a statement on violence, does it happen in a certain way and is the universe indifferent to it, is life worth a damn?

This one here works very much like the Henry Hathaway film from '69, except everyone's better, where John Wayne played a character, Jeff Bridges plays a man, and even Barry Pepper betters my beloved Robert Duvall's turn as Ned Pepper. This probably won't do it for Jeff Bridges because we've been accustomed to expect a certain degree of po-faced seriousness from a great performance (he snarled and staggered in Crazy Heart but he was serious about it), but he's one of the great actors of our times and I find this again in his Rooster Cogburn. Clint Eastwood also fell from a horse in Unforgiven and couldn't shoot a tin can to save his soul, but Munny "was" a scumbag, Cogburn still is and I like that. I like the courtroom scene where it's gradually revealed that he won't only bushwack those he needs to bring to justice, he will lie to make himself out to be the hero.

Another interesting aspect here is how the concept of the gunslinger and the western with it has evolved. When John Wayne played Cogburn in the Hathaway film the reward for the audience was the smirk of watching John Wayne be that drunken failure. The casting mattered in our appreciation. In the remake, most comments seem to point out that it's a fairly traditional/entertaining western. The dastardly revisit of something that was revisionist in the 70's oddly seems to give, in our day, a traditional western. We've been accustomed to heroes who are not heroes, and maybe the erosion of that heroic archetype says something about the way we view the world now, as opposed to 30-40 years ago. Then we were beginning to realize that wars are not gloriously, justly won but survived and endured, now we know there is no clear struggle between dual opposites and have grown disenchanted as that knowledge has failed to prevent the same wars. Now we know there is stuff about the legends that don't make the print, or we are suspicious enough about legends to imagine them.

Is this a traditional western then? Watching True Grit through the eyes of the brass 14yo girl reminded me of Winter's Bone, another film from the same year. In both cases a young girl is determined to plunge herself in a dark world of hurt and walk a path fraught with perils on all sides to achieve a moral purpose, both films maintain an appearance of realism, but what I get from them is a magical fantasy. This becomes more apparent when Mattie falls in the snakepit, but what about the hanged men who are really hanged high? The Hathaway film, ostensibly based on the same material, missed that note and played out a straight western. The Coen film unfolds as a hazy dream of that West. Although I wished for more open landscapes, it makes sense then that film narrows our gaze and clouds the margins. Perhaps we are even seeing the film as Mattie relives the experience in her old age, an affair shaped by memory and time.

This is the marvellous touch effected by the Coens on the material; the minute recreation of the Old West as a historical place and the odd, incongruous moments found within it annihilate any authority over the material.

The epilogue is important in that aspect.

It's not only that Mattie's revenge didn't accomplish anything, that it was for her merely another practical inconvenience to be bargained, paid for, and settled, like her father's ponies and saddle or the service of the US Marshall before, but that she clings to the memory of it so fiercely. What's horrifying then is not so much the violence of the West but the idealization of that violence. The film closes in a time around the turn of the century, people like Cogburn roosted in Wild West shows for a cheering audience, and Mattie is one of the people who lived to tell the tales. Out of those tales, the western of John Ford and Raoul Walsh emerged to print the legend. In a roundabout fantastic way, the Coens give us the true account, the creation myth behind the western.


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Band Baaja Baaraat

Band Baaja Baaraat (2010)

Band Baaja Baaraat (2010)




139 min - Comedy, Drama, Romance - 10 December 2010
Big Blue Sky Rating : 7.2/10


Director : Maneesh Sharma
Writers : Amitabh Bhattacharya, Habib Faisal
Stars : Ranveer Singh, Anushka Sharma, Manu Rishi Chadha, Manish Chaudhary

After Delhi-based slacker-collegian, Bittoo Sharma's father asks him to return home to work in the sugar-cane fields, he refuses and decides to partner with career-minded wedding planner, Janakpuri-based Shruti Kakkar. She refuses to have to do anything with him, but after he impresses her, she partners with him, they set up 'Shaadi Mubarak' and begin organizing small wedding celebrations with struggling restaurateur and florist, Rajinder Singh and Maqbool respectfully. The duo hit big time after they organize a wedding party at Sainik Farm and begin to have dreams of bettering their lives. It is then Shruti realizes that she has fallen in love with Bittoo, and is embittered when he does not reciprocate. This bitterness gets worse, and the duo split up, with Bittoo opening 'Happy Weddings' - resulting in a downward spiral of their performance. With creditors hovering over them, no money coming in, Shruti finally gives way to her parents' wishes and agrees to get married to Dubai-based...


Feel good factor is the USP of the movie

Happiness and smile was, what spread in the theater during most of the parts of the movie and this is why you go to some multiplex. The BBB earns full marks on this front. It is not a nonsense comedy which is pestering Bollywood from last 2-3 years. Neither is this, some intense, provoking, thoughtful movie. BBB is a very colorful, commercial and typical bollywood style movie which has a cute girl with a Desi Guy. It wonderfully depicts the confused mind of both of them when they have to decide on their career and love. It has romance, love, comedy, emotional drama(Thanks God, it didn't last long) and finally a heavenly pleasant happy ending.

BBB is the movie of a college girl who is utterly ambitious about staring her own Wedding Management company and a guy, who fell for her during a wedding and situations lead both of them to become partners in their newly started venture "Shadi Mubarak". How their relationship go through various Ups and Downs is shown as movie progress.

Talking about the performances, firstly Ranveer Singh deserves huge amount of accolades for his awesome acting. He never seamed like working in his debut project. He was very natural and confident throughout the movie. Anuska Sharma had shown some promise in her last flick "Badmash Company" and this movie certainly raises the bar for her. She did a commendable job in the movie, with her energetic presence and freshness. Wonderful acting by her.

Though the movie overall captivate the mind of the audience, its second half has some lose moments where one can feel bored. First half of the movie is pleasantly wonderful. Music of the movie maintains the speed and carries the freshness of BBB.

Delhi people are anyway loving this movie as Delhi places and other famous things are referenced in various frames. It is a nice movie to watch and surely adding up to a very small list of good movies in 2010.


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Dabangg

Dabangg (2010)

Dabangg (2010)




126 min - Action, Comedy, Crime, Romance, Thriller - 10 September 2010
Big Blue Sky Rating : 6.2/10


Director : Abhinav Kashyap
Writers : Dilip Shukla, Abhinav Kashyap
Stars : Salman Khan, Sonakshi Sinha, Vinod Khanna, Dimple Kapadia

Set in Uttar Pradesh, Chulbul Pandey is a young boy who lives with his mother Naini, stepfather Prajapati, and younger half-brother Makkhi. Chulbul is constantly angry that his step-father is always partial towards his own biological son. 21 years later, Chulbul is a rowdy, mischievous, and sometimes crooked cop, who refers to himself as "Robin Hood." He does everything in his own indomitable way; whether it's dealing with corrupt politician and thug Chedi Singh, fighting a family feud, or romancing stunning Rajo.


Chulbul Pandey entertains

Dabangg provides wholesome entertainment.No doubts on that.But the problem is of its story,Its the kind which the people have seen in 60s-70s Bollywood movies.But,the director takes a step ahead with 3 aces. First,the action sequences executed by S.Vijayan is simply breathtaking. Secondly,the music composed by Sajid Wajid and Lalit Pandit is truly amazing.Tere Maast Do Nain,Munni Badnaam and Hud Hud Hud Dabangg are the icing on the cake. And thirdly,Salman Khan,who acts as a wounded tiger.He is simply great as Chulbul Pandey. Soankshi Sinha acts well.Arbaaz Khan is good.Sonu Sood is electrifying as Chedi Singh.Right from Vinod Khanna to Anupam Kher,all are wasted. Overall,Dabangg is high on entertainment value but lacks novelty.


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Stake Land

Stake Land (2010)

Stake Land (2010)




R - 98 min - Drama, Horror, Sci-Fi - 17 June 2011
Big Blue Sky Rating : 6.5/10


Director : Jim Mickle
Writers : Nick Damici, Jim Mickle
Stars : Connor Paolo, Nick Damici, Kelly McGillis, Gregory Jones. Martin was a normal teenage boy before the country collapsed in an empty pit of economic and political disaster. A vampire epidemic has swept across what is left of the nation's abandoned towns and cities, and it's up to Mister, a death dealing, rogue vampire hunter, to get Martin safely north to Canada, the continent's New Eden." />

Martin was a normal teenage boy before the country collapsed in an empty pit of economic and political disaster. A vampire epidemic has swept across what is left of the nation's abandoned towns and cities, and it's up to Mister, a death dealing, rogue vampire hunter, to get Martin safely north to Canada, the continent's New Eden.


A good vamp/survival Movie

After reading some of these reviews, i thought they were a bit harsh. But with that said, i respect there opinions about this movie.

I enjoyed this movie, from start to finish i was well entertain, sure it's gloomy, the story is simple, the action was good, and so was the script, there might not have been many words spoken in the movie, but it fits in well to make you feel like immerse in there gloomy Vamp filled world.

Everyone in the movie acted well yes, there is no big name actors, and i'm happy about that. You don't need big name actors to make a good movie.

Not sure what other people expected from Stake Land, but i got what i expected, survivors trying to survive, not just trying to survive against vamps, but also against human desperation and cruelness.

Decent acting, decent script, great movie, 9 out of 10


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Exit Through the Gift Shop

Exit Through the Gift Shop (2010)

Exit Through the Gift Shop (2010)




R - 87 min - Documentary, Comedy - 5 March 2010
Big Blue Sky Rating : 8.0/10


Director : Banksy

Stars : Banksy, Space Invader, Mr. Brainwash, Debora Guetta. The story of how an eccentric French shop keeper and amateur film maker attempted to locate and befriend Banksy, only to have the artist turn the camera back on its owner. The film contains footage of Banksy, Shephard Fairey, Invader and many of the world's most infamous graffiti artists at work." />

The story of how an eccentric French shop keeper and amateur film maker attempted to locate and befriend Banksy, only to have the artist turn the camera back on its owner. The film contains footage of Banksy, Shephard Fairey, Invader and many of the world's most infamous graffiti artists at work.


A fast-paced and highly entertaining film

Exit Through the Gift Shop may be all smoke and mirrors but it is a highly provocative mirror we look into, one that raises many questions about the commercialization of art and even about the authenticity of the documentary form itself. Ostensibly directed by the mysterious British graffiti artist Banksy, the film, shot with a not too steady hand-held camera, describes the attempts by Los Angeles clothing store owner Thierry Guetta to capture on film the world of street artists, previously hidden from public view. Banksy, who has developed quite an underground reputation for outrageousness after posting his own paintings in the Met and other museums, is shown hooded, in shadows, and with his voice distorted.

He begins the film by explaining that the movie was supposed to be about him but when Guetta's attempt at film-making proved to be unwatchable, he took over the making of the film and it became a documentary about Guetta, and how he was transformed into the street artist known as "Mr. Brainwash". Narrated by Welsh actor Rhys Ifans (slotted to play Edward de Vere in the upcoming Roland Emmerich film Anonymous), Guetta is an garrulous and outgoing Frenchman who carries his video camera with him wherever he goes, filling up tape after tape. After meeting with his cousin known as Space Invader, a graffiti artist famous for mosaics showing characters from the Space Invader video game, he is introduced to Shepard Fairey, the man responsible for the Obama "hope" campaign in 2008 as well as street artists Monsieur André, Swoon, Sweet Toof, Borf, and many others.

Shepard and Thierry become partners in the clandestine world of graffiti-making and, even though Shepard feels that that there is something not quite right about Guetta, he is happy to have him around as a "security guard" who is willing to climb tall buildings to locate the most lucrative spots. Eventually, Thierry realizes that, in order for his film to be successful, he must find a way to find the reclusive Banksy. He finds Banksy, however, almost impossible to track down. The power of intention works wonders though, for on a trip to Los Angeles, Banksy himself contacts Thierry to ask for his help in finding the best places to post in L.A. The end result is an ongoing relationship and a Banksy art show called "Barely Legal" that does extremely well financially. As far as its artistic merits, I will leave that to others to decode.

After Banksy tells Guetta to leave his tapes with him and go put on his own show, Thierry does just that, renting an old CBS Studio and transforming it into a factory where he endeavors mightily to put on his own show "Life is Beautiful" under the name "Mr. Brainwash". The 2008 show, aided by an L.A. Weekly cover story, earns Thierry over one million dollars and catapults the Frenchman into the ranks of the world's most popular street artists. Exit Through the Gift Shop may be the real deal or it may be a tongue-in-cheek spoof of the gullibility of the public and the crass commercialism of the art world but only Banksy really knows. It does, however, provide a fast-paced and highly entertaining glimpse into a world that has, heretofore, eluded the camera because of its secretive nature and dubious legality.


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Saturday, October 5, 2013

Senna

Senna (2010)

Senna (2010)




PG-13 - 106 min - Documentary, Biography, Sport - 25 May 2011
Big Blue Sky Rating : 8.5/10


Director : Asif Kapadia
Writers : Manish Pandey
Stars : Ayrton Senna, Alain Prost, Frank Williams, Ron Dennis

The story of the monumental life and tragic death of legendary Brazilian motor-racing Champion, Ayrton Senna. Spanning the decade from his arrival in Formula One in the mid 80's, the film follows Senna's struggles both on track against his nemesis, French World Champion Alain Prost, and off it, against the politics which infest the sport. Sublime, spiritual yet, on occasion, ruthless - Senna conquers and transcends Formula One to become a global superstar. Privately, he is humble, almost shy, and fiercely patriotic, donating millions to his native Brasil and contemplating a life beyond motor-racing. Yet he is struck down in his prime on the blackest weekend in the history of the sport, watched live on television by 300 million people. Years on he is revered in Formula One as the greatest motor racing driver of all time - and in Brasil as a Saint.


Truly Remarkable

I had been a Fan of Ayrton when I was a child. I distinctly remember watching the F1 highlights with my dad. My dad was a seasonal fanatic of sports and kept updating me with the news from the papers/sports magazines and the television.

To relive the moments of Ayrton (the idol) in this emotionally gripping documentary was unbelievably comforting. The script and flow of the events were so flawlessly presented taking one's memory into the Time travel of decade gone by. It was nothing short of Excellence in execution.

The documentary dissects Ayton's persona in a subtle way, making it the most compelling Biography of all times. The back-ground score by Antonio Pinto was Enthralling and Sensual delight.

This is not to be missed, sad that I had been to the cinema only on the final day when it was shown-much regret the delay. Nevertheless, Its a true Masterpiece which portrays the subtle sadness of a legend's demise in a sweet throat stifling moments.


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Black Swan

Black Swan (2010)

Black Swan (2010)




R - 108 min - Drama, Mystery, Thriller - 17 December 2010
Big Blue Sky Rating : 8.1/10


Director : Darren Aronofsky
Writers : Mark Heyman, Andres Heinz
Stars : Natalie Portman, Mila Kunis, Vincent Cassel, Winona Ryder. A ballet dancer wins the lead in "Swan Lake" and is perfect for the role of the delicate White Swan - Princess Odette - but slowly loses her mind as she becomes more and more like Odile, the Black Swan." />

Nina (Portman) is a ballerina in a New York City ballet company whose life, like all those in her profession, is completely consumed with dance. She lives with her obsessive former ballerina mother Erica (Hershey) who exerts a suffocating control over her. When artistic director Thomas Leroy (Cassel) decides to replace prima ballerina Beth MacIntyre (Ryder) for the opening production of their new season, Swan Lake, Nina is his first choice. But Nina has competition: a new dancer, Lily (Kunis), who impresses Leroy as well. Swan Lake requires a dancer who can play both the White Swan with innocence and grace, and the Black Swan, who represents guile and sensuality. Nina fits the White Swan role perfectly but Lily is the personification of the Black Swan. As the two young dancers expand their rivalry into a twisted friendship, Nina begins to get more in touch with her dark side - a recklessness that threatens to destroy her.


An epic and nightmarish delight

Natalie Portman lives a dream and a nightmare when she gets a chance to dance Swan Lake in Darren Aronofsky's new film

Black Swan is a very bi polarized film. Portman dances as the white swan flawlessly, but her 'brilliant' choreographer has doubts about her as the black swan. She needs to 'live a little' and be less mannered, but the closer she gets to that point, the more the walls start to close in all around her.

Darren Aronofsky, though he comes close to being heavy handed, has delivered a project which is fiery, spectacular and clever. He sells us ballet as something dark and off putting, starting from his decision to reveal what dancing does to peoples bodies. One mistake and you can crack a toe nail under your body weight, but I don't wanna oversell it. To look at Black Swan in another way, it is an operatic horror film, It has incredible style, but uses it not so much to dazzle but to confuse and intimidate. The paradox of Black swan is that it creepiness is kind of seductive, because it draws you in (much like the way vampires are supposedly romantic)

But style is only half the picture (not even). The rest is in the cast, and mostly in Natalie Portman. She is slow to get started, but she grows quickly and the result is arguably her best performance yet. I've never loved her that much. She's always struck me as more of a girl than a woman, but I guess all she needs is to get a little blood on her hands, and you have an award worthy performance. Vincent Cassel, though he gets some questionable lines, is also at his best. I would have almost liked to see more of him, because you get the sense that his role has a bit more room to grow.

Black Swan does quite a bit, but it's not for everyone. Do not go into this expecting to be emotionally enriched. From the beginning, it is staged to be a mind-twirl, delighting in playing tricks on the audience. Some might call it cheating, but that would be the wrong way to look at Black Swan. It's quite epic, and with year coming to an end, I think it's fair to say that it is among the best of 2010.


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Tuesday, September 24, 2013

Incendies

Incendies (2010)

Incendies (2010)




R - 139 min - Drama, Mystery, War - 12 January 2011
Big Blue Sky Rating : 8.1/10


Director : Denis Villeneuve
Writers : Valérie Beaugrand-Champagne, Wajdi Mouawad
Stars : Lubna Azabal, Mélissa Désormeaux-Poulin, Maxim Gaudette, Mustafa Kamel

A mother's last wishes send twins Jeanne and Simon on a journey to the Middle East in search of their tangled roots. Adapted from Wajdi Mouawad's acclaimed play, Incendies tells the powerful and moving tale of two young adults' voyage to the core of deep-rooted hatred, never-ending wars and enduring love.


Recommended viewing

During the reading of the will of their mother's, a twin brother and sister learn of some unusual last wishes. Amongst other requests, two envelopes need to be delivered to respectively the father of the two and a brother whom are both unknown. The quest leads the twins through the Middle East where they slowly learn of the horrific tales which is the life history of their late mother.

The movie tells a very graphic but endearing story, perfectly shot and acted allowing the viewer to get fully immersed into the journey and findings of the twins. Through flashbacks we learn about the hardship of the mother and, eventually, the fate of the father and brother. As a treat, there is a great twist at the end which is really the icing on the cake.

Highly recommended.

92/100


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Monday, September 23, 2013

The Kids Are All Right

The Kids Are All Right (2010)

The Kids Are All Right (2010)




R - 106 min - Comedy, Drama - 30 July 2010
Big Blue Sky Rating : 7.1/10


Director : Lisa Cholodenko
Writers : Lisa Cholodenko, Stuart Blumberg
Stars : Annette Bening, Julianne Moore, Mark Ruffalo, Mia Wasikowska

Nic and Jules are in a long term, committed, loving but by no means perfect relationship. Nic, a physician, needs to wield what she believes is control, whereas Jules, under that control, is less self-assured. During their relationship, Jules has floundered in her "nine to five" life, sometimes trying to start a business - always unsuccessfully - or being the stay at home mom. She is currently trying to start a landscape design business. They have two teen-aged children, Joni and Laser, Nic who is Joni's biological mother, and Jules who is Laser's biological mother. Although not exact replicas, each offspring does more closely resemble his/her biological mother in temperament. Joni and Laser are also half-siblings, having the same unknown sperm donor father. Shortly after Joni's eighteenth birthday and shortly before she plans to leave the house and head off to college, Laser, only fifteen and underage to do so, pleads with her to try and contact their sperm donor father. Somewhat ...


Domestic Life in THE KIDS ARE ALL RIGHT

The nuclear family takes on a different spin when both parents are same sex and the kids are the product of a male sperm donor in The Kids Are All Right. When traumatic upheaval and revelations strike such a family, the results can be amusing and also tragic. Annette Bening and Julianne Moore highlight an insightful script about domesticity turned on its head.

Nic (Bening) and Jules (Moore) are lesbian parents of two teens, Joni and Laser. One day the children research and contact their biological father, Paul (Mark Ruffalo), who agrees to meet his progeny. After an awkward first meeting, things actually go well as the new family connections are explored by the kids and their newly found father. The couple of Nic and Jules are a contrast; Nic is the physician who is totally controlling while Jules is still trying to find herself with a new business of landscaping. Laser hangs with the wrong crowd and begins to realize that he deserves better through his bond with Paul. Joni is trying to assert herself as an adult and prepares to go to college. The moms show a parental responsibility to watch over their children and want to meet the dad. When Paul hires Jules to do work on his restaurant landscape, the two connect. As Paul's influence begins to overcome the family, Nic feels left out. But there is an attraction between Jules and Paul that leads to a torrid affair, and when Nic discovers the truth, the family is torn apart. Into this mix are two maturing children whose emotions will be tested throughout.

The roles are well acted especially by Benning as a betrayed spouse, and in particular, her scene of revelation about Jules is a marvel of expressiveness and devastating heartbreak. This culminates in a powerful moment with all the principals present at Paul's dinner table. Moore gives solid support and shines in her heartfelt plea to her family near the end. The ensemble is well cast particularly Ruffalo whose almost bystander role is suddenly elevated to catalyst and disruptor of the family's dynamic.

The story has a nice balance of serious tones and comedic elements born out of the situations. The themes work on several levels like ingredients of a zesty recipe: the family chemistry, the couple of Nic and Jules, the kids' developing bond with Paul, Paul and Jules, and shake and mix well. Everyone has needs and wants, and the strongest is a need to belong to a family and the need to connect with another human being whether it be Laser and his friends, Paul and Jules, Paul and his children, and Nic and Jules. Amid the conflicts, no one escapes unscathed. There are no real heroes or villains here, only hard truths about life and relationships.

The fact that two lesbians are having the conflict over infidelity may seem novel on the surface, but it could easily have been a heterosexual couple. In fact the notion of two lesbians virtually disappears as we witness and understand this family unit with its warts and all. It could be any family when you think about it. The fact that both Benning and Moore play their respective spousal roles so convincingly is a testament to their acting skills playing off an excellent script by Stuart Blumberg and Lisa Cholodenko, who also directs. The ending rings true and shows not only how far the relationships have come, but how that foundation, despite some serious challenges, is strong enough to survive. Life moves on, and there is hope for the future.

There are not a lot of loose ends in this story although, toward the end, it would be nice to get a bit more resolution to Ruffalo's character. The film does contains a couple of brief explicit sex scenes without which this would essentially be a PG rated film. There is little to quibble about, and the viewer gets to experience one of the more insightful domestic dramas in recent years.


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Stake Land

Stake Land (2010)

Stake Land (2010)




R - 98 min - Drama, Horror, Sci-Fi - 17 June 2011
Big Blue Sky Rating : 6.5/10


Director : Jim Mickle
Writers : Nick Damici, Jim Mickle
Stars : Connor Paolo, Nick Damici, Kelly McGillis, Gregory Jones. Martin was a normal teenage boy before the country collapsed in an empty pit of economic and political disaster. A vampire epidemic has swept across what is left of the nation's abandoned towns and cities, and it's up to Mister, a death dealing, rogue vampire hunter, to get Martin safely north to Canada, the continent's New Eden." />

Martin was a normal teenage boy before the country collapsed in an empty pit of economic and political disaster. A vampire epidemic has swept across what is left of the nation's abandoned towns and cities, and it's up to Mister, a death dealing, rogue vampire hunter, to get Martin safely north to Canada, the continent's New Eden.


A good vamp/survival Movie

After reading some of these reviews, i thought they were a bit harsh. But with that said, i respect there opinions about this movie.

I enjoyed this movie, from start to finish i was well entertain, sure it's gloomy, the story is simple, the action was good, and so was the script, there might not have been many words spoken in the movie, but it fits in well to make you feel like immerse in there gloomy Vamp filled world.

Everyone in the movie acted well yes, there is no big name actors, and i'm happy about that. You don't need big name actors to make a good movie.

Not sure what other people expected from Stake Land, but i got what i expected, survivors trying to survive, not just trying to survive against vamps, but also against human desperation and cruelness.

Decent acting, decent script, great movie, 9 out of 10


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