Saturday, October 12, 2013

Argo

Argo (2012)

Argo (2012)




R - 120 min - Biography, Drama, History, Thriller - 12 October 2012
Big Blue Sky Rating : 7.9/10


Director : Ben Affleck
Writers : Chris Terrio, Tony Mendez
Stars : Ben Affleck, Bryan Cranston, John Goodman, Alan Arkin

In 1979, the American embassy in Iran was invaded by Iranian revolutionaries and several Americans were taken hostage. However, six managed to escape to the official residence of the Canadian Ambassador and the CIA was eventually ordered to get them out of the country. With few options, exfiltration expert Tony Mendez devised a daring plan: to create a phony Canadian film project looking to shoot in Iran and smuggle the Americans out as its production crew. With the help of some trusted Hollywood contacts, Mendez created the ruse and proceed to Iran as its associate producer. However, time was running out with the Iranian security forces closing in on the truth while both his charges and the White House had grave doubts about the operation themselves.


Stop with the "Reality" Cinema already...

Six American embassy staff are sheltered and smuggled out of the Iran, quietly, safely and without any fuss. It just gets done as it should, with the help of the western diplomatic community including Canada, Sweden, Denmark, Britain and New Zealand.

You could make a film out of it - but it would be a documentary and probably boring as simple competency and decency make for poor cinema these days.

You can also make a Die-hard/RAMBO type film with one man against the system, lots of car chases, explosions, improbable plot twists and cliffhanger type of escapes. These can be a lot of fun to watch when done right.

Or you can make a film that is something in between, where you intersperse actual events and people to trick viewers into taking the pulp fiction seriously. It is important to make sure that most of the audience was not alive when the events occurred - just stress the few cultural references that they know and give a slide show at the end to convince them how real it all was. And add a one sentence disclaimer so that all those friends that did help aren't too offended.

I personally prefer the first two types of film that either give credit to the very real people who actually did risk their very real lives or be honest with the audience that this is make-believe.

Or at the very least - make something that can stand on its own without having to pretend that most of it actually happened.


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