The Last Sin Eater

The Last Sin Eater (2007)

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PG-13 - 117 min - Drama - 9 February 2007
Big Blue Sky Rating : 5.5/10

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Director : Michael Landon Jr.
Writers : Brian Bird, Michael Landon Jr.
Stars : Louise Fletcher, Henry Thomas, Liana Liberato, Soren Fulton

Appalachia, 1850. A generation ago a group of Welshmen came across the ocean to build a new existence and with them they brought their own traditions and rituals. One of them is the sin eater, a mysterious person, forced to live in the woods and mountains, only to come out when somebody dies. He then pawns his own soul to take away the sins of the deceased. 10 year old Cadi Forbes meets the sin eater for the first time at the funeral of her grandmother and is immediately intrigued. Cadi is torn by guilt over the death of her little sister Elen and wants the sin eater to redeem her. With the help of Fagen, son of the ruthless village leader Brogen, and the imaginary Lilybet, she starts a search to find him, but by doing so Cadi slowly, but surely unravels dark and terrible secrets.

Flawed but deeply felt

This is a film that requires some willing suspension of disbelief, since its makers seem possibly to be prey to the fallacy that it enough that Christian art be Christian. Which is not to say that they didn't get most of it right, just that their missteps are so avoidable. Fortunately, most (like the young star's unbelievably sumptuous wardrobe) weren't major distractions for me. But the crudeness of the special effects scenes (which, thankfully, are brief) did disrupt my experience, as I wondered, "What were they thinking that this looked right to them?"

Most of the cast does a truly fine job, with all the central characters (the Forbes family and Fagan Kai) getting moving, heartfelt and convincing performances from their players. There's a relationship here between quantity of screen time and quality, so the minor characters remain pretty two-dimensional, though not distractingly so.

The cinematography (except for special effects, as noted) is beautiful and effective, and successfully evokes the feeling of confining, dense Appalachian woods and isolation.

Bottom line: despite its minor shortcomings, this is an effective, affecting, non-preachy and original retelling of one of the central concepts of Christianity.

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