Showing posts with label Jean-Marc Vallée. Show all posts
Showing posts with label Jean-Marc Vallée. Show all posts

Monday, October 14, 2013

The Young Victoria

The Young Victoria (2009)

The Young Victoria (2009)




PG - 105 min - Biography, Drama, History, Romance - 6 March 2009
Big Blue Sky Rating : 7.2/10


Director : Jean-Marc Vallée
Writers : Julian Fellowes
Stars : Emily Blunt, Rupert Friend, Paul Bettany, Miranda Richardson

Dominated by her possessive mother and her bullying consort, Conroy, since childhood, teen-aged Victoria refuses to allow them the power of acting as her regent in the last days of her uncle, William IV's rule. Her German cousin Albert is encouraged to court her for solely political motives but, following her accession at age eighteen, finds he is falling for her and is dismayed at her reliance on trusty Prime Minister Melbourne. Victoria is impressed by Albert's philanthropy which is akin to her own desire to help her subjects. However her loyalty to Melbourne, perceived as a self-seeker, almost causes a constitutional crisis and it is Albert who helps restore her self-confidence. She proposes and they marry, Albert proving himself not only a devoted spouse, prepared to take an assassin's bullet for her, but an agent of much-needed reform, finally endorsed by an admiring Melbourne.


Victorian Rebel without a Cause, but a Crown

Greetings again from the darkness. Emily Blunt would have stolen The Devil Wears Prada if not for the queen of screen, Meryl Streep. Here she competes with no one and does a nice job of carrying the film based on the early years of Queen Victoria. If you are rusty on your British sovereign history, she ruled from 1837-1901.

For 20 of these years, she was married to her true love, Prince Albert (played well by Rupert Friend). While the two meet as youngsters, the bond between them comes from their letters ... an early precursor to eHarmony?? We know Victoria mostly from royal portraits, so it's nice to see her as a rebellious youngster trying to learn the tricks of the trade, even while being manipulated like a pawn by her mother (Miranda Richardson) and her lover (Mark Strong). We get to see her tenacity blossom as she matures and literally grows into the monarchy.

While Ms. Blunt's performance is strong, Julian Fellowes' writing is not at the level of his previous work in Gosford Park. We do get some of the same power plays, but it is missing the nuances of that much better film.


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Dallas Buyers Club

Dallas Buyers Club (2013)

Dallas Buyers Club (2013)




R - 117 min - Drama - 1 November 2013
Big Blue Sky Rating : 7.4/10


Director : Jean-Marc Vallée
Writers : Craig Borten, Melisa Wallack
Stars : Matthew McConaughey, Jennifer Garner, Jared Leto, Steve Zahn. The story of Texas electrician Ron Woodroof and his battle with the medical establishment and pharmaceutical companies after being diagnosed as HIV-positive in 1986, and his search for alternative treatments that helped established a way in which fellow HIV-positive people could join for access to his supplies." />

The story of Texas electrician Ron Woodroof and his battle with the medical establishment and pharmaceutical companies after being diagnosed as HIV-positive in 1986, and his search for alternative treatments that helped established a way in which fellow HIV-positive people could join for access to his supplies.


Matthew McConaughey and Jared Leto achieve monumental success with their performances...

In the front lines of transforming your physical appearance for the sake of the art, critics and audiences respond with gasps and eye-bulging at the shocking "de-glamorization" of our beloved Hollywood figures . Often times, it's used as a gimmick, lacking skill and talent to match the transformation. Christian Bale received lots of press leading up to and following his performance in Brad Anderson's "The Machinst" nearly a decade ago. Nothing about him or the film reached an epic proportion of legendary filmmaking or acting. Focus Features' upcoming film, "Dallas Buyers Club" executes solid imagery and profound performances that stands as one of the year's most ambitious efforts thus far. You can't knock anyone for trying to go for it.

Looking at what Matthew McConaughey achieves with the direction of Jean- Marc Vallée finally gives Hollywood and the rest of the world the realization of what an actor can do if they push themselves for the sake of the craft. It's not just a makeup trick, he embodies the soul of a broken man, reaching for a new-found purpose and demonstrating the human will to survive. McConaughey has hinted at this greatness for years now. He was in the realm of conversation last year as the lovable club owner in "Magic Mike" and impressed the lights out of many earlier this year with "Mud" from Jeff Nichols. Playing Ron Woodroof, a homophobic electrician that contracts HIV in the 1980's, the 43-year-old actor has tapped into an extraordinary and found humanity within a character that is often times unlikeable but continue to root for.

Vallée's direction of the story is impressive. He takes artistic liberties we haven't seen him attempt before and does a comparable job at bringing the unfocused and at times, jumbled narrative to the screen. Craig Borten and Melisa Wallack pen the script from an honest place. The "Inspired by true events" phrase that's plastered on the film's poster should have allowed a more cohesive and finely tuned story to be constructed. Their decisions on where to focus Woodroof's life during his first year living with HIV didn't give the film a thematic foundation to connect with. I wasn't sure if I was supposed to be watching a socially political film that highlights the intolerance of homosexuals in the 80's or a politically-motivated drama that highlights the injustices that our own government takes on its people. You can make the argument that it's a blend of the two, but the way the events unfold and are represented don't necessarily ring authentic. If anything, they paint a poorly constructed portrait of homosexuals and victims of HIV and AIDS during a very difficult time in our nation where anyone was looking for an outlet of longevity. We know lots about the traumas and prejudices of our victims during the AIDS epidemic and the battles they fought just to simply live. There's no other message or values that the film presents that I haven't already heard in "And the Band Played On" and "How to Survive a Plague."

DBC-02693-RAs aforementioned, the performances in the film rise above any flaws that the script may slip into. McConaughey is the best I've ever seen him. Simply a delight from head to toe, beginning to end. What I haven't started to uncover is the revelation that is Jared Leto as the lovable and AIDS-stricken Rayon. Leto, who has been away from the game for some time as he focused on his music with his band "30 Seconds to Mars" showcases one of the year's finest turns and the best he's ever delivered. Every time the talented Leto is on-screen, he steals focus from everyone around him. He manages to illuminate the pain and horror of the human spirit as it deals the inevitable notion that fairly soon, you will die. You won't see a more devastating turn or a greater example of masking the real emotions of the being this year. A Supporting Actor contender has emerged.

DBC-00822-RThe beautiful and talented Jennifer Garner lays all she can into her role of Dr. Eve Saks, a doctor overseeing more than illnesses during the epidemic. While I will always remember her fondly in Jason Reitman's "Juno" in 2007, she simply doesn't have enough to work with to rally anything more than mere sympathy. Two co-stars, who are always great to see as the expand the filmography, is Denis O'Hare and Steve Zahn, both impeccable in their minimal roles.

As a whole, "Dallas Buyers Club" is competent filmmaking executed by two outstanding performances by Matthew McConaughey and Jared Leto. Director of Photography Yves Bélanger is the best of the technical merits of the film. Aesthetically capturing tender moments from the side of a bed and the window of a car. Something that should be considered when looking at the film for awards prospects. At the end of the day, it's solid filmmaking. You can admire the attempt, but it missed some opportunities. I think the Oscar race has just added two solid contenders on its already growing list who are completely worthy of holding statues on the night.


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Sunday, October 13, 2013

C.R.A.Z.Y.

C.R.A.Z.Y. (2005)

C.R.A.Z.Y. (2005)




127 min - Drama - 3 March 2006
Big Blue Sky Rating : 7.8/10


Director : Jean-Marc Vallée
Writers : François Boulay, Jean-Marc Vallée
Stars : Michel Côté, Marc-André Grondin, Danielle Proulx, Émile Vallée. C.R.A.Z.Y. Extraordinary lives of ordinary people in search of love and happiness - that's the premise of "C.R.A.Z.Y", a family drama unlike any other." />

Born Christmas Day 1960, Zac Beaulieu is the fourth of five sons of Gervais and Laurianne Beaulieu. Zac feels somewhat disconnected to his brothers, all of whom are different from each other. They include the bookworm Christian who is the eldest, the dumb jock Antoine who is third, and the youngest Yvan. But Zac has the most contempt for his second eldest brother, the shiftless druggie Raymond. To his devout Catholic mother, Zac is her miracle son, both for being born the same day as Jesus Christ (a fact which Zac has always hated), and because a Tupperware-selling mystic once told her that he has the power to heal. Laurianne has always coddled Zac, the two who have a special if unspoken bond. But Zac wants more to please his father, who wants more than anything in his sons that they grow up to be man's men and not sissies. As Zac goes through his mid-teens to early twenties, Zac isn't sure if he can live up to the ideals of either his mother or especially his father. A young man with...


Quebec cinema is a hidden gem in North America and C.R.A.Z.Y. shines like a diamond.

This is an outstanding film. Quebec cinema is a hidden gem in North America and C.R.A.Z.Y. shines like a diamond among the lumps of coal put out by the big name studios in the U.S. Jean-Marc Vallée (director) proves that you do not need mega-bucks to make a quality film (C.R.A.Z.Y. cost 7 million dollars to produce). The acting is outstanding and it must have been a pleasure for the cast to work with such a great script and story. To call this a coming of age story or a coming out story would be selling it short. This is a film about family dynamics and it works on so many levels it is unfair and impossible to pigeon hole this film. Being an ex-patriot ( I am from the U.S. but now live in Montreal) I hope this films gets some play in the U.S. as it is too good to be missed. If it does not wait for it on IFC, Sundance or on DVD and see it then. Bravo to Jean-Marc Vallée and the cast and crew of this film...Outstanding work!


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