Monday, October 14, 2013

The Young Victoria

The Young Victoria (2009)

PG - 105 min - Biography, Drama, History, Romance - 6 March 2009
Big Blue Sky Rating : 7.2/10

Director : Jean-Marc Vallée
Writers : Julian Fellowes
Stars : Emily Blunt, Rupert Friend, Paul Bettany, Miranda Richardson

Dominated by her possessive mother and her bullying consort, Conroy, since childhood, teen-aged Victoria refuses to allow them the power of acting as her regent in the last days of her uncle, William IV's rule. Her German cousin Albert is encouraged to court her for solely political motives but, following her accession at age eighteen, finds he is falling for her and is dismayed at her reliance on trusty Prime Minister Melbourne. Victoria is impressed by Albert's philanthropy which is akin to her own desire to help her subjects. However her loyalty to Melbourne, perceived as a self-seeker, almost causes a constitutional crisis and it is Albert who helps restore her self-confidence. She proposes and they marry, Albert proving himself not only a devoted spouse, prepared to take an assassin's bullet for her, but an agent of much-needed reform, finally endorsed by an admiring Melbourne.

Victorian Rebel without a Cause, but a Crown

Greetings again from the darkness. Emily Blunt would have stolen The Devil Wears Prada if not for the queen of screen, Meryl Streep. Here she competes with no one and does a nice job of carrying the film based on the early years of Queen Victoria. If you are rusty on your British sovereign history, she ruled from 1837-1901.

For 20 of these years, she was married to her true love, Prince Albert (played well by Rupert Friend). While the two meet as youngsters, the bond between them comes from their letters ... an early precursor to eHarmony?? We know Victoria mostly from royal portraits, so it's nice to see her as a rebellious youngster trying to learn the tricks of the trade, even while being manipulated like a pawn by her mother (Miranda Richardson) and her lover (Mark Strong). We get to see her tenacity blossom as she matures and literally grows into the monarchy.

While Ms. Blunt's performance is strong, Julian Fellowes' writing is not at the level of his previous work in Gosford Park. We do get some of the same power plays, but it is missing the nuances of that much better film.

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Tammy

Tammy (2014)

Comedy - 2 July 2014

Director : Ben Falcone
Writers : Ben Falcone, Melissa McCarthy
Stars : Melissa McCarthy, Susan Sarandon, Dan Aykroyd, Mark Duplass

After losing her job and learning that her husband has been unfaithful, a woman hits the road with her profane, hard-drinking grandmother.

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Dallas Buyers Club

Dallas Buyers Club (2013)

R - 117 min - Drama - 1 November 2013
Big Blue Sky Rating : 7.4/10

Director : Jean-Marc Vallée
Writers : Craig Borten, Melisa Wallack
Stars : Matthew McConaughey, Jennifer Garner, Jared Leto, Steve Zahn. The story of Texas electrician Ron Woodroof and his battle with the medical establishment and pharmaceutical companies after being diagnosed as HIV-positive in 1986, and his search for alternative treatments that helped established a way in which fellow HIV-positive people could join for access to his supplies." />

The story of Texas electrician Ron Woodroof and his battle with the medical establishment and pharmaceutical companies after being diagnosed as HIV-positive in 1986, and his search for alternative treatments that helped established a way in which fellow HIV-positive people could join for access to his supplies.

Matthew McConaughey and Jared Leto achieve monumental success with their performances...

In the front lines of transforming your physical appearance for the sake of the art, critics and audiences respond with gasps and eye-bulging at the shocking "de-glamorization" of our beloved Hollywood figures . Often times, it's used as a gimmick, lacking skill and talent to match the transformation. Christian Bale received lots of press leading up to and following his performance in Brad Anderson's "The Machinst" nearly a decade ago. Nothing about him or the film reached an epic proportion of legendary filmmaking or acting. Focus Features' upcoming film, "Dallas Buyers Club" executes solid imagery and profound performances that stands as one of the year's most ambitious efforts thus far. You can't knock anyone for trying to go for it.

Looking at what Matthew McConaughey achieves with the direction of Jean- Marc Vallée finally gives Hollywood and the rest of the world the realization of what an actor can do if they push themselves for the sake of the craft. It's not just a makeup trick, he embodies the soul of a broken man, reaching for a new-found purpose and demonstrating the human will to survive. McConaughey has hinted at this greatness for years now. He was in the realm of conversation last year as the lovable club owner in "Magic Mike" and impressed the lights out of many earlier this year with "Mud" from Jeff Nichols. Playing Ron Woodroof, a homophobic electrician that contracts HIV in the 1980's, the 43-year-old actor has tapped into an extraordinary and found humanity within a character that is often times unlikeable but continue to root for.

Vallée's direction of the story is impressive. He takes artistic liberties we haven't seen him attempt before and does a comparable job at bringing the unfocused and at times, jumbled narrative to the screen. Craig Borten and Melisa Wallack pen the script from an honest place. The "Inspired by true events" phrase that's plastered on the film's poster should have allowed a more cohesive and finely tuned story to be constructed. Their decisions on where to focus Woodroof's life during his first year living with HIV didn't give the film a thematic foundation to connect with. I wasn't sure if I was supposed to be watching a socially political film that highlights the intolerance of homosexuals in the 80's or a politically-motivated drama that highlights the injustices that our own government takes on its people. You can make the argument that it's a blend of the two, but the way the events unfold and are represented don't necessarily ring authentic. If anything, they paint a poorly constructed portrait of homosexuals and victims of HIV and AIDS during a very difficult time in our nation where anyone was looking for an outlet of longevity. We know lots about the traumas and prejudices of our victims during the AIDS epidemic and the battles they fought just to simply live. There's no other message or values that the film presents that I haven't already heard in "And the Band Played On" and "How to Survive a Plague."

DBC-02693-RAs aforementioned, the performances in the film rise above any flaws that the script may slip into. McConaughey is the best I've ever seen him. Simply a delight from head to toe, beginning to end. What I haven't started to uncover is the revelation that is Jared Leto as the lovable and AIDS-stricken Rayon. Leto, who has been away from the game for some time as he focused on his music with his band "30 Seconds to Mars" showcases one of the year's finest turns and the best he's ever delivered. Every time the talented Leto is on-screen, he steals focus from everyone around him. He manages to illuminate the pain and horror of the human spirit as it deals the inevitable notion that fairly soon, you will die. You won't see a more devastating turn or a greater example of masking the real emotions of the being this year. A Supporting Actor contender has emerged.

DBC-00822-RThe beautiful and talented Jennifer Garner lays all she can into her role of Dr. Eve Saks, a doctor overseeing more than illnesses during the epidemic. While I will always remember her fondly in Jason Reitman's "Juno" in 2007, she simply doesn't have enough to work with to rally anything more than mere sympathy. Two co-stars, who are always great to see as the expand the filmography, is Denis O'Hare and Steve Zahn, both impeccable in their minimal roles.

As a whole, "Dallas Buyers Club" is competent filmmaking executed by two outstanding performances by Matthew McConaughey and Jared Leto. Director of Photography Yves Bélanger is the best of the technical merits of the film. Aesthetically capturing tender moments from the side of a bed and the window of a car. Something that should be considered when looking at the film for awards prospects. At the end of the day, it's solid filmmaking. You can admire the attempt, but it missed some opportunities. I think the Oscar race has just added two solid contenders on its already growing list who are completely worthy of holding statues on the night.

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Barry Lyndon

Barry Lyndon (1975)

PG - 184 min - Adventure, Drama, Romance, War - 18 December 1975
Big Blue Sky Rating : 8.1/10

Director : Stanley Kubrick
Writers : Stanley Kubrick, William Makepeace Thackeray
Stars : Ryan O'Neal, Marisa Berenson, Patrick Magee, Hardy Krüger

In the Eighteenth Century, in a small village in Ireland, Redmond Barry is a young farm boy in love of his cousin Nora Brady. When Nora engages to the British Captain John Quin, Barry challenges him for a duel of pistols. He wins and escapes to Dublin, but is robbed on the road. Without any other alternative, Barry joins the British Army to fight in the Seven Years War. He deserts and is forced to join the Prussian Army, saving the life of his captain and becoming his protégé and spy of the Irish gambler Chevalier de Balibari. He helps Chevalier and becomes his associate until he decides to marry the wealthy Lady Lyndon. They move to England and Barry, in his obsession of nobility, dilapidates her fortune and makes a dangerous and revengeful enemy.

The Camera and the Stage

When I was in high school, it was considered "cool" to watch Stanley Kubrick movies as they were seen as "more enlightened forms of entertainment" over stuff by Steven Spielberg and John Hughes. If you didn't memorize the opening speech to Full Metal Jacket or hadn't seen Nicole Kidman in Eyes Wide Shut then you were rejected from the clique. This was at the time when I was first viewing Kurosawa's Rashomon and Ran and accidentally came across this gem. Sure, the rest of the gang would be quoting along with Alex DeLarge in A Clockwork Orange, but not one of them would dare sit down and watch this or 2001: A Space Odyssey. Fools.

Barry Lyndon is another sign of sheer genius on behalf of Kubrick. Notice that in his career he is never concerned about making money, just creating an image and telling a story. Imagine if Michael Bay did the same, he'd be out of the business in no time and having to sell his own movies at the Video Hut. This movie is one of his better detailed (and yet mysteriously unsung) masterpieces that is so beautiful to look at that it almost becomes artistic pornography (in the sense of creating intense emotion). This isn't to say that Barry Lyndon is vulgar. By comparison to Eyes Wide Shut and The Shining, this is a kid's cartoon.

Kubrick is once again a certified genius with his camera. The elaborate and glamorous scenes ranging from duels to gardens and even just the opening prologue are beautifully rendered in a style reminiscent of Monet or other artists. I found it interesting how Kubrick includes pigeons (doves?) in the final duel. Perhaps John Woo gained some inspiration from this.

The story is paper thin compared to 2001 and lacks much of the symbolism. In fact, it is very hard to either sympathize with Ryan O'Neil as the title character because of his lack of portrayal. As a whole, none of the characters gain either support or disapproval because of their fleeting presence. The sets and costume designs themselves become more of a character than the actors. Thankfully, the story is not as convoluted as I expected. It flows nicely and never gets boring because of the variety of powerful elements infused into it.

First off, kudos to both Ken Adam and Vernon Dixon for their brilliant production design. I loved what Ken did with Dr. Strangelove (smart move for him to ditch the Bond series for that). John Alcott is one of Kubrick's lesser cinematographers, but he is still very talented here. I'm certain that, if he had lived longer, Kubrick would've kept using him. He is not as concerned about symmetry, that or the topics aren't, as the rest of Kubrick's work. The biggest irony about Barry Lyndon would have to be that everyone in the categories EXCEPT Kubrick won an Oscar for their work. I think the Academy has something of a grudge against him because of his superior quality of work.

Overall, a phenomenal quality of film that they just don't make anymore. I put this in my Top 10 required viewings for anyone who wants to be in film. Kubrick has transcended Shakespeare with this film. 4.5 out of 5 stars.

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Gravity

Gravity (2013)

PG-13 - 91 min - Drama, Sci-Fi, Thriller - 4 October 2013
Big Blue Sky Rating : 8.7/10

Director : Alfonso Cuarón
Writers : Alfonso Cuarón, Jonás Cuarón
Stars : Sandra Bullock, George Clooney, Ed Harris, Orto Ignatiussen

Dr. Ryan Stone (Sandra Bullock) is a brilliant medical engineer on her first shuttle mission, with veteran astronaut Matt Kowalsky (George Clooney) in command of his last flight before retiring. But on a seemingly routine spacewalk, disaster strikes. The shuttle is destroyed, leaving Stone and Kowalsky completely alone - tethered to nothing but each other and spiraling out into the blackness.

One of the year's top films

Gravity, Alfonso Cuaron's explosive, white-knuckle sci-fi instant classic is a wonder to behold, with devastatingly realistic effects as a backdrop to a terrifying, compelling story and terrific work by Sandra Bullock and George Clooney. It is both a concrete what-if story and a mesmerizing existential mindbender.

The U.S Space Shuttle Explorer is docked at the International Space Station. Dr. Ryan Stone (Bullock), on her first space mission, is installing an external device on the station that will enable astronomers to peer even deeper into space. Meanwhile, the mission commander Kowalski (Clooney), on his final mission, merrily spacewalks in a jet pack; other crew members perform maintenance or communicate with Earth.

Then trouble strikes. Houston reports that the Russians have blown up one of their own satellites, hurling debris throughout Earth's orbit. Before the crew can return to the shuttle and head back to Earth, the craft and the ISS are pounded with lots and lots of pieces of metal traveling at extreme speeds. The damage is extensive, setting off an odyssey for Dr. Stone that is both literal and figurative, as she must find a way to keep going and return back home.

There is hardly a moment of inaction. Stone and Kowalski veer from problem to problem, everything accentuate by the simple fact that they are alone up there, not even able to contact NASA. It's a terrifying situation. Most of us might have a slight panic attack if we're stranded on the side of the road without a cell phone. Imagine being up in the heavens with no way to get down.

Emmanuel Lubezki's dizzying camera-work serves two purposes: it provides us with Stone's visual perspective, that of a novice, and it provides context for the disaster she and Kowalski find themselves in. If you think that the pictures from the Hubble telescope were beautiful, wait until you see these breathtaking visuals; they're as stirring and evocative as the acting and story itself.

Stone journey, as I mentioned, becomes more than just a path back to safety. She is grieving in her own way, becoming a quiet, almost listless passenger in life. Her decisions and her proactive attitude not only bring her closer to survival but also to a healing of her mind. This is definitely among Bullock's finest work, perhaps her greatest achievement to date.

I've noted before that 3D movies in darkened environments, such as outer space, are utterly needless, since 3D actually removes light from scenes. But somehow, the 3D effects in Gravity sidestep that downside. The technology is used so expertly here that whether we are approaching an object at high velocity or it is approaching us, we feel immersed in the scene, not distracted from it. Tough to do.

I simply cannot delve into the plot any more than I already have. The astute viewer will still have trouble guessing the outcome and the twists within the movie, particularly because the action is so hard- driven – while still utterly coherent and plausible.

There are plenty of heart-stopping moments in Gravity, even for the most jaded of viewers. It is fantastic storytelling supported by arresting cinematography. It may be too early for movies to get serious award- season consideration, but I'll come out and say this right now: Gravity is one of the very best movies of the year.

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Bad Teacher

Bad Teacher (2011)

R - 92 min - Comedy - 24 June 2011
Big Blue Sky Rating : 5.6/10

Director : Jake Kasdan
Writers : Gene Stupnitsky, Lee Eisenberg
Stars : Cameron Diaz, Jason Segel, Justin Timberlake, Lucy Punch

When her wealthy fiancé breaks it off, gold digger Elizabeth Halsey returns to middle school: she's an awful teacher but wants to save for breast-implant surgery. She brightens when Scott, a new teacher, turns out to be rich, and she stops showing films and sleeping in class when told there's a bonus for the teacher whose class scores highest on the state exam. Her competition for Scott and the bonus is cheery and tightly wound Amy. Amy digs for dirt on Elizabeth who cheats her way toward Scott's bed and the money. Honesty with students seems to be her only skill. She ignores Russell, a droll gym teacher, who looks on. Will she succeed with Scott and get those new breasts?

Hot for teacher

Comedies today keep trying to push the boundaries more and more to stand out. The Hangover movies are a perfect example of this. Much of it started with There's Something About Mary which grossed people out in a humorous way. The star of that movie, Cameron Diaz, shows her funny side once again in Bad Teacher. This one's not as risqué or shocking, but it tries to stand out with its premise - a teacher who treats her students like crap and could care less about educating them. In most movies like The Hangover, guys are doing all of the crude and nasty stuff. So it's a little refreshing to see a woman do it this time around, even if it's more things she says than does. We do get to see her wail on some kids with a dodgeball though. You feel kind of bad for the kids, but they seem to take it in stride. Maybe they're just happy to have a hot teacher, even if she's not doing her job. Let's face it, most kids aren't excited to learn. Here they get to spend most of their time in the classroom watching movies. I know I would've preferred that when I was in class.

Diaz plays money-seeking Elizabeth Halsey, a woman who somehow managed to become a teacher while waiting to marry her rich fiancé. She completes a year at her school doing the absolute bare minimum of teaching. But her fiancé dumps her after learning of her gold digging ways and now she finds herself stuck teaching at the school that she was just getting ready to leave for good. Elizabeth quickly learns that a new teacher played by Justin Timberlake comes from a very wealthy family. So she sets her radar on him as her next husband to be. He's the complete opposite of her, but that doesn't matter. He's very polite and rather nerdy. In fact, he's much more like Elizabeth's rival teacher Miss Squirrel. Once he starts getting close with the prissy Miss Squirrel, it becomes a battle of wits between the two women to be with him. But Elizabeth is out to get him for all the wrong reasons of course. While she sleeps through class and just plays movies for her students to watch, she spends the rest of her time trying to impress the wealthy new teacher and win him over. Advertisement

Timberlake, who's proved he can be very funny through all his appearances on Saturday Night Live, isn't really given much to do here. He just plays the clean-cut nerdy guy the best that he can. Jason Segal, who plays a fellow gym teacher, gets more of the laughs. His character sees right through Elizabeth but pursues her anyway. He goes along with everything she does but still makes sure to put her in check too. He's the one person at the school that she's able to relate to a little it seems. Watching the film you'll wonder if Elizabeth will find any sort of redemption and change her ways. You get the sense that Segal's character is the one person who can help her with that. The movie has some funny one-liners and interesting scenes, but I wouldn't say it's laugh-out-loud hilarious or anything. Still, it's a pretty funny premise and Cameron Diaz fits perfectly into the role. It's not a movie you'll remember down the road but it's worth checking out at least.

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Dawn of the Planet of the Apes

Dawn of the Planet of the Apes (2014)

Action, Drama, Sci-Fi, Thriller - 18 July 2014

Director : Matt Reeves
Writers : Mark Bomback, Pierre Boulle
Stars : Gary Oldman, Keri Russell, Andy Serkis, Kodi Smit-McPhee

A growing nation of genetically evolved apes led by Caesar is threatened by a band of human survivors of the devastating virus unleashed a decade earlier. They reach a fragile peace, but it proves short-lived, as both sides are brought to the brink of a war that will determine who will emerge as Earth's dominant species.

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Buy Dawn of the Planet of the Apes Online

Sex Tape

Sex Tape (2014)

Comedy, Drama - 18 July 2014

Director : Jake Kasdan
Writers : Kate Angelo
Stars : Jason Segel, Cameron Diaz, Rob Corddry, Rob Lowe

A married couple wake up to discover that the sex tape they made the evening before has gone missing, leading to a frantic search for its whereabouts.

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Fast & Furious 7

Fast & Furious 7 (2014)

Action, Crime, Thriller - 11 July 2014

Director : James Wan
Writers : Chris Morgan, Gary Scott Thompson
Stars : Vin Diesel, Paul Walker, Dwayne Johnson, Jason Statham

After Dominic Toretto and his crew helped take down Owen Shaw, his brother Ian Shaw now wants revenge.

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A Serious Man

A Serious Man (2009)

R - 106 min - Comedy, Drama - 20 November 2009
Big Blue Sky Rating : 7.0/10

Director : Ethan Coen, Joel Coen
Writers : Joel Coen, Ethan Coen
Stars : Michael Stuhlbarg, Richard Kind, Sari Lennick, Fred Melamed

Bloomington, Minnesota, 1967: Jewish physics lecturer Larry Gopnik is a serious and a very put-upon man. His daughter is stealing from him to save up for a nose job, his pot-head son, who gets stoned at his own bar-mitzvah, only wants him round to fix the TV aerial and his useless brother Arthur is an unwelcome house guest. But both Arthur and Larry get turfed out into a motel when Larry's wife Judy, who wants a divorce, moves her lover, Sy, into the house and even after Sy's death in a car crash they are still there. With lawyers' bills mounting for his divorce, Arthur's criminal court appearances and a land feud with a neighbour Larry is tempted to take the bribe offered by a student to give him an illegal exam pass mark. And the rabbis he visits for advice only dole out platitudes. Still God moves in mysterious - and not always pleasant - ways, as Larry and his family will find out.

Magnificent. The Coen Brothers take a detour.

Let me say up front that most fans of the Coen brothers' early films might be disappointed if they're expecting "Fargo", "The Big Lebowski" or even "O Brother". Unlike those movies, here we don't have a lot of plot, comedy or action. The message of the film is very challenging, and it requires a lot of thought to figure out what they're saying.

I'd say this movie is for fans of the recent American films "Synecdoche NY", "Doubt", and the recent Japanese films "Departures", "Yureru" and of course the classics by Kurosawa like "Rashomon". What I'm saying is that this is a film that tackles philosophical questions of perception, faith, and in particular, uncertainty.

If you've had some physics, you're in for a real treat because much of the theme centers around Schrödinger's "Uncertainty Principle", briefly touched upon in the Coens' excellent 2001 film "The Man Who Wasn't There". Here they give us a more powerful dose. If you've never heard of this principle, don't worry, you can look it up on Wikipedia or you can accept my synopsis of it, which I'll warn you might be flawed because I ain't no physicist:

The Uncertainty Principle (or "Schrödinger's Cat") proves mathematically that certain events are unknowable. It proposes the idea of a cat that might be alive or dead, but we cannot know without looking inside the cage. At the same time, the minute we look inside the cage, the cat will be killed by a toxic gas. The bottom line: we can't know the answer. Ever.

From there, the movie explores how different people react when confronted with the unknown. Some form prejudices. Some fall back on faith. Some become faithLESS. And some just don't care.

This is a beautifully crafted film that shows us the nature of human beings in that respect. No, there's not really a story. But it does even better than that: it challenges our minds to see elements of our own lives within the life of this ordinary schmuck. I am truly amazed at the Coens' accomplishment, and I hope they continue in this direction in the future, though I'm sure it may hurt their mainstream appeal.

If you see this film & like it, I think you'll really enjoy the other films I've listed as well as the Hungarian masterpiece "Werckmeister Harmonies", anything by Wim Wenders ("The End of Violence" touches on the same Uncertainty Principle) and Orson Welles' "The Trial".

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Crazy Heart

Crazy Heart (2009)

R - 112 min - Drama, Music, Romance - 5 February 2010
Big Blue Sky Rating : 7.3/10

Director : Scott Cooper
Writers : Scott Cooper, Thomas Cobb
Stars : Jeff Bridges, Maggie Gyllenhaal, Colin Farrell, James Keane

Bad Blake is a broken-down, hard-living country music singer who's had way too many marriages, far too many years on the road and one too many drinks way too many times. And yet, Bad can't help but reach for salvation with the help of Jean, a journalist who discovers the real man behind the musician.

Bridges at his best.

"Petition me no petitions, sir, to-day; Let other hours be set apart for business. To-day it is our pleasure to be drunk . . ." Henry Fielding, Tom Thumb, The Great

When a memorable performance transcends a mediocre plot, the result is a memorable role flanked by a forgettable film. Such is the case of Jeff Bridges as Bad Blake, a sodden wreck of a country singer still making a living playing at bars and bowling alleys in Crazy Heart, an apt title.

Not Garth Brooks or Willie Nelson, but well-known enough to be offered free booze and free ladies, 57 year old Bad is like his 30 year old pickup truck, still serviceable but ready to bust at any moment. Bridges is a believable singer/drunk, not overdoing either but pathetic enough for you to want to strangle some sense into him while he still can perform. And write songs—if he can get to them, especially at the encouragement of Tommy Sweet (a convincing, real life bad boy Colin Farrell), young country singer now flourishing partly because of Bad's good mentoring. The descent into cliché is quick as Santa Fe reporter Jane (Maggie Gyllenhaal) falls for him during an interview for her paper. She has a four-year old child—well, you can guess the rest of the film through romance and rehab but maybe not denouement.

The addition of one of the producers of the film, Robert Duvall, as Bad's friend and club owner Wayne, is a welcome allusion to Duvall's Oscar performance as country singer Mac Sledge in Tender Mercies. Add T Bone Burnett as a song writer and producer of the film and you have a promising pedigree. Unfortunately director/writer Scott Cooper may not have caught the fire of the original novel by Thomas Cobb.

I will nominate Bridges as one of the best actors of the year. That's the best I can offer you besides the New Mexico landscape and cloud dotted blue sky. As for watching another story about an alcoholic singer, I'll stick with Colin Firth drinking a little in A Single Man or Michael Sheen in the Damned United. The drunken hero is one of my damned.

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Maleficent

Maleficent (2014)

Action, Adventure, Drama, Family, Fantasy, Mystery, Romance, Thriller - 30 May 2014

Director : Robert Stromberg
Writers : Paul Dini, Linda Woolverton
Stars : Angelina Jolie, Elle Fanning, Sharlto Copley, Miranda Richardson. The "Sleeping Beauty" tale is told from the perspective of the villainous Maleficent and looks at the events that hardened her heart and drove her to curse young Princess Aurora." />

The "Sleeping Beauty" tale is told from the perspective of the villainous Maleficent and looks at the events that hardened her heart and drove her to curse young Princess Aurora.

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Sunday, October 13, 2013

C.R.A.Z.Y.

C.R.A.Z.Y. (2005)

127 min - Drama - 3 March 2006
Big Blue Sky Rating : 7.8/10

Director : Jean-Marc Vallée
Writers : François Boulay, Jean-Marc Vallée
Stars : Michel Côté, Marc-André Grondin, Danielle Proulx, Émile Vallée. C.R.A.Z.Y. Extraordinary lives of ordinary people in search of love and happiness - that's the premise of "C.R.A.Z.Y", a family drama unlike any other." />

Born Christmas Day 1960, Zac Beaulieu is the fourth of five sons of Gervais and Laurianne Beaulieu. Zac feels somewhat disconnected to his brothers, all of whom are different from each other. They include the bookworm Christian who is the eldest, the dumb jock Antoine who is third, and the youngest Yvan. But Zac has the most contempt for his second eldest brother, the shiftless druggie Raymond. To his devout Catholic mother, Zac is her miracle son, both for being born the same day as Jesus Christ (a fact which Zac has always hated), and because a Tupperware-selling mystic once told her that he has the power to heal. Laurianne has always coddled Zac, the two who have a special if unspoken bond. But Zac wants more to please his father, who wants more than anything in his sons that they grow up to be man's men and not sissies. As Zac goes through his mid-teens to early twenties, Zac isn't sure if he can live up to the ideals of either his mother or especially his father. A young man with...

Quebec cinema is a hidden gem in North America and C.R.A.Z.Y. shines like a diamond.

This is an outstanding film. Quebec cinema is a hidden gem in North America and C.R.A.Z.Y. shines like a diamond among the lumps of coal put out by the big name studios in the U.S. Jean-Marc Vallée (director) proves that you do not need mega-bucks to make a quality film (C.R.A.Z.Y. cost 7 million dollars to produce). The acting is outstanding and it must have been a pleasure for the cast to work with such a great script and story. To call this a coming of age story or a coming out story would be selling it short. This is a film about family dynamics and it works on so many levels it is unfair and impossible to pigeon hole this film. Being an ex-patriot ( I am from the U.S. but now live in Montreal) I hope this films gets some play in the U.S. as it is too good to be missed. If it does not wait for it on IFC, Sundance or on DVD and see it then. Bravo to Jean-Marc Vallée and the cast and crew of this film...Outstanding work!

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Out of the Furnace

Out of the Furnace (2013)

R - 116 min - Drama, Thriller - 6 December 2013

Director : Scott Cooper
Writers : Brad Ingelsby, Scott Cooper
Stars : Christian Bale, Casey Affleck, Zoe Saldana, Woody Harrelson

Russell and his younger brother Rodney live in the economically-depressed Rust Belt, and have always dreamed of escaping and finding better lives. But when a cruel twist of fate lands Russell in prison, his brother is lured into one of the most violent and ruthless crime rings in the Northeast - a mistake that will almost cost him everything. Once released, Russell must choose between his own freedom, or risk it all to seek justice for his brother.

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Inside Llewyn Davis

Inside Llewyn Davis (2013)

R - 105 min - Drama, Music - 20 December 2013
Big Blue Sky Rating : 7.2/10

Director : Ethan Coen, Joel Coen
Writers : Joel Coen, Ethan Coen
Stars : Oscar Isaac, Carey Mulligan, John Goodman, Garrett Hedlund

Follow a week in the life of a young folk singer as he navigates the Greenwich Village folk scene of 1961. Guitar in tow, huddled against the unforgiving New York winter, he is struggling to make it as a musician against seemingly insurmountable obstacles -- some of them of his own making.

Oscar Isaac is Incredible! Coens Best Since 'Fargo'

I am completely smitten. I have long admired Joel Coen and Ethan Coen and what they have offered the realm of cinema. I am in love with "Fargo" still until this day, and they've provided solid efforts on nearly every outing since. Their newest endeavor that focuses on the folk scene in 1961 is an absolute dream. Everything from the impeccable Oscar Isaac to the music that enriches the deepest trenches of the soul, "Inside Llewyn Davis" is one of the best pictures of the year, plain and simple. It's the Coen Brothers finest film since "Fargo."

Our story begins with a folk singer, Llewyn Davis that has continued to pursue a music career in 1961 despite being penniless and lacking any real stability. Migrating from couch to couch, we get a deep look into a character with a dream that just won't die. As he fights for his chance to share his voice with the world, following an unexpected loss of his singing partner, Llewyn is hard to love. He makes poor choices and seems to lack any responsibility in his life. It's a wonderful creation of a character that offers insight into a changing time in our history.

First of all, I can't get the amazing music out of my head. All the songs used are absolutely brilliant. Oscar Isaac's richly matured tone is so soothing and authentic; I'm surprised a music company hasn't nabbed him up to make a record yet. His opening and closing songs are his, as well as the film's, pivotal moments that encapsulate the endearing message and theme. "Hang Me, Oh Hang Me" and "Fare Thee Well (Dink's Song)" are astonishing records that may not just fall into an Oscar race but a Grammy wouldn't shock me in the least. It has the same magical effect as "Searching for Sugar Man," two films that seemed to capture the innocence and culture of a generation that seems lost. In terms of performance, Isaac is incredible. So raw and genuine, it's one of the year's finest performances by any actor. He has made himself one of the most exciting actors to watch in the coming years. This will lead him into more challenging and accessible roles. This guy could become one of our finest actors in just five years' time. This is something that should land him an Oscar nomination for Best Actor. It's very much deserved.

In their respective but short screen times, John Goodman, Garrett Hedlund, and Carey Mulligan are all infectious and notable. Goodman plays a character similar to his "Harling Mays" from Robert Zemeckis' "Flight" and makes the most out of his appearance. Mulligan is volatile and I loved every second of her. She brings lots of dark humor and fire to a role that shows the depth of her abilities as an actress who can perform impeccably in any genre. We even get her singing again which had me melt two years ago during her "New York, New York" in Steve McQueen's "Shame." Hedlund comes and goes but makes his mark as he often does.

Justin Timberlake has made a seamless transition from musician to actor and back to musician. Great in roles like "The Social Network" where his star power doesn't distract from the story at hand, in a Coen Brothers film, where he sings (in a very current pop way), he becomes a bit distracting. I was very aware that Timberlake, probably this generation's Michael Jackson, was sharing the screen. More than likely not his fault, it could be a case of being "too big" for your movie.

One thing that the film has taught me…we need to give Adam Driver more movie roles. Timberlake, Isaac, and Driver put their marks on one of the songs "Please Mr. Kennedy," and make it one of the year's most fun and remarkable numbers.

Joel and Ethan Coen continue to show their ranges in directing and writing. Flawlessly executed in character understanding and keeping our story moving. Llewyn Davis is such a complex and interesting man and their screenplay gives Isaac room to breathe and explore the subtle nuances that make his character unique and real. As their alter ego Roderick Jaynes, the film moves like a smooth monorail, hitting all its marks and picking up new and exciting quirks along the way.

An almost silver-green canvas evokes the dark and grey tones of the New York scene in 1961. Cinematographer Bruno Delbonnel masterfully captures the ticks and beats of Isaac as he sings with heartbreaking emotion and walks through the frigid cold streets. Jess Gonchor's production design places us all in the folk scene, with intimate bar settings, old-time music studios, and even the classic feel of a Greenwich Village apartment building.

CBS Films has a gem on their hands with "Inside Llewyn Davis." A sure- fire Oscar contender in several categories including Best Picture. If there's any justice in the film world, Oscar Isaac would firmly sit near the top of the finest performances of 2013 in Best Actor and nab nearly every award he comes in contact with. "Inside Llewyn Davis" is sensational and an instant classic to be remembered.

Read Oscar Predictions @ The Awards Circuit (http://www.awardscircuit.com)

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Snow White and the Huntsman

Snow White and the Huntsman (2012)

PG-13 - 127 min - Adventure, Drama, Fantasy - 1 June 2012
Big Blue Sky Rating : 6.1/10

Director : Rupert Sanders
Writers : Evan Daugherty, John Lee Hancock
Stars : Kristen Stewart, Chris Hemsworth, Charlize Theron, Sam Claflin

Snow White, imprisoned daughter of the late king, escapes just as the Magic Mirror declares her the source of the Evil Queen's immortality. The Queen sends her men, led by a local huntsman, to bring her back. But upon her capture, the huntsman finds he's being played and turns against the Queen's men, saving Snow White in the process. Meanwhile, Snow's childhood friend, William, learns that she is alive and sets off to save her.

Snow White: Good but not great

Based on the popular fairytale ''Snow White'' comes the originally titled ''Snow White....and The Huntsman'' ,an epic fantasy film starring teen favourites Kristen Stewart (of Twilight fame) and Chris Hemsworth (of Thor/Avengers fame). Now, detailing the plot shouldn't be too hard, as we all know the story from childhood- Evil Queen (Charlize Theron) with talking mirror is hell-bent on killing her 'pure' step-daughter (Stewart) and hires a Huntsman (Hemsworth) to do the job for her. The Huntsman takes pity on the girl when he finds her, and together they become fugitives, going on a journey that involves meeting Dwarfs. Seven of them to be precise. What follows is a major battle between good and evil to determine who will reign over the Kingdom, the evil Queen or our heroine Snow White?

Now, I enjoyed this film a lot more than I thought I would, it reminded me a lot of Lord of The Rings, from the grand music to the mountain scenery, and it does feature a few spectacular fight scenes. Visually, this is an impressive film, however, the film focuses too much on visuals and not enough on characters, the Dwarfs are glossed over and never really given any time to engage with the audience, which is a shame, as the group contains excellent actors (Ray Winstone and Bob Hoskins, amongst others ). Kristen Stewart as Snow White seems to think she's still playing Bella from Twilight, (i.e no range of emotions, just a blank stare for the whole film), especially when opposite to her is Charlize Theron giving an amazingly dramatic performance as the Queen. To sum up, a good re-telling of a classic, but by no means as good as the Disney Classic which most of us remember.

7/10

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Salinger

Salinger (2013)

PG-13 - 120 min - Documentary - 5 September 2013
Big Blue Sky Rating : 5.4/10

Director : Shane Salerno

Stars : Philip Seymour Hoffman, Edward Norton, Judd Apatow, John Cusack

An unprecedented look inside the private world of J.D. Salinger, the reclusive author of The Catcher in the Rye.

Unmasked

I loved this movie and found it thrilling. Only a few days ago did I begin to read Salinger's short stories again as well as RAISE HIGH THE ROOFBEAMS, CARPENTERS. Of course everyone has read THE CATCHER IN THE RYE and I agree it remains a right of passage.

I came to this movie with high hopes and that always scares me, because I set myself up for a downfall. This came through for me.

It is an intense psychological portrait. The 299 days he spent at continuous war, from D-Day to the concentration camps, most certainly carved out his soul to his dying day. And how could it not? As someone who has always been interested in platonic love, I was very moved by his friendship(s) with young women that did not include sex.

This movie thoroughly investigates the ego, drive, and mystery of this artist. The portrait is not always flattering and sometimes it is downright pitiful, but it seems genuine to me.

I would recommend it to not only fans but also any writer or artist who knows something about the thrill of achievement and the horror of fame.

I look forward to the publication of the posthumous work with relish.

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